Posts by dan from why.movie
Sequence 11-13 • Climate Change, Flooding
11-13 Climate Change, Flooding Series of 3 brick sets shots pulls back visually (stream, beach, ocean) while zooming into the geographic location, (Earth/North American Continent, A City, New York City). 11 brick stream with globe (close) A stream burbles around a weathered globe, half submerged in a cascade of bricks. There might be a bit…
Read MoreSequence 11-22 • Visual Exposition – history and current events
The opening shots especially the exposition 11-22, are covers of science fiction novels or periodicals, except with a little bit of motion, almost still life(s), animated gifs. Since these screens might also feature credits, then they could be set up almost like the covers of periodicals, with a title and then the authors and stories…
Read MoreSequence 8-10 Ejaculated into Physicality
8-9 rising tension and explosive birth Out of the darkness and into the light, hurtling through stony birth canal or rigid urethra of the penis to the tunnels exit and dramatic emergence of the divine agent into physicality, the supposedly mundane world. Along the way brief flashes of signage, both clean fonts and hand lettered…
Read MoreSequence 4-7 Uncle Joe's Lair
signage within the lair – welcome-to-dog/ We then travel metaphorically into the black of the tunnel (mystery receptive, yin, black hole), and emerge on the black of Uncle Joe’s iStone (bulging with secret intelligence, yang, quasar) which he is tossing lightly toward POV directly above his hand. The size and orientation of the rock match…
Read MoreSequence 1-3 An Ancient Monster
An Ancient Monster / Nuclear Waste Repository / Joe’s Lair / Haunted Castle / Poisoned Land overview, mediatronic tank messages – welcome-to-dog/ excerpt – 2014/10/31/rosie-shoot-and-ideas-for-opening-sequence/ could be a mad military song repeating, the humvee’s speakers instead of signs [ 10-31-14 like the announcements on Catch 22, friendly upbeat voice] Approaching over a series of still…
Read Moreand so we go, December 2015
Indeed, there are so many areas I can’t wait to explore as a cinematic artist, miniatures galore and so on. I know that completing DOG will provide more than enough fun and will lead to an avalanche of wondrous new experiments and adventures. So we look to what’s currently on bench. We’ll need a workshop.…
Read Moreinteresting searches
on this blog nsa on amazon miniature filming
Read MoreVFX cosmology
Where is the Airbus comp? This is an addendum to the conversation Josh and I had after he spent some time with the cars and snow shot. There are several approaches to completing the DOG project 1) organizing all sequences and comps into a current working cut, 2) making a detailed breakdown of every task…
Read MoreTalking to Tim
After a sauna with Kari and Barbie, Tim Burke and I talked music, specifically my desire to enhance my guitar and vocal chops so I could test song sketches for the Science FIction Musical with live audiences. I asked him about vocal resources and he mentioned another announcer at WIAA, Kate Botello and a previous…
Read MoreGod Tamers
There are a few delightful charlatans in the Science Fiction Musical Universe who are god tamers. They understand that the gods are a projection of our own desire for adventure and “other”. The gods are maya, beliefs incarnate. In a bar… “OF COURSE the gods exist. My brother was Golightly for the cruiser Sagromorph, they…
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