02-06-09, 07-14-08

core / life master / 2008 / july / 7/14 (07-14-08) + core/*life master/ projects/movie plan ((2-06-09)
plans, ideas, actions, story theory, important dissertation
– what’s most important to learn right now?
— acting
— camera operation
— solid sound recording
— taking poeple and objects into new contexts (undressing patricia in grand central)
— simulating expensive, illegal or impossible events, situations
— realizing images that are in my head (patchwork leather horses)
— sneaking a camera into the universe next door
— creating whole cities, planets and universes, an unfettered imagination
— paintings in motion
— working with models and miniatures
— casting and directing all types of talent
— martial arts, action
— musicals, song, dance
— free flowing action – steadicam
— erotic and connective
— rapid vinettes, quickly realizing simple stories
— story telling
— humor
— all the pieces of the puzzle… what are they, can we make a map?
— my approach – not just to make movies, but to live them. to live the life of a martial artist, super hero, warrior revolutionary, lover, visionary, mystic etc. It’s a little like that Jack Lemon movie, where he draws his strip based on pre-enactments. Except the movies will draw from my actual experience, will explore the issues i encounter as i “make a saint”, as me and my teams go up against the black iron prison and save the world. buckaroo had his own comic book, I’ll have my own films. does his yellow submarine really exist? how about the secret island? did he actually do that just now, or was that an effect? it’s a golden submarine, water and metal – ahhh.
— I’ve had enough experiences in my life to point the way, this whole movie making thing follows the flow into mystery. i can do all the things other filmmakers do, raise funds, market etc but my objective is activism, awakening, surprise. propaganda for the evolution, for the adventure.