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How to do it all?

investigating the rationale behind this document
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struggling…
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Structure Exploration
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(what this document might be) v.01
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what is a dan kelly?
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getting sane and free
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the origins of a real life super hero
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making of a saint
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spiritual commando
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warrior monk
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and so forth
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business plan
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how to succeed
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financial dashboard
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marketing
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revenue streams
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how to do it all
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why do it all?
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why me?
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who are the allies?
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can i make it?
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follow desire… live a life designed to excercise, challenge and awaken all the aspects.
daily / weekly opportunities and objectives. documentation. review and
analysis. demonstrations and deliverables. repeat
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(what this document might be) v.02
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structure commentary 08-03-06–08
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i see a problem with this mindmap app, because I want to fold the entire contents of structure exploration into a new thought, which is this one I am typing right now… What I’ve learned is that my mission is layered according to how deeply each directive is in conflict with the dominant culture and prevailing perspective of other humans.
Would i kill for a forest? For an ocean? I can imagine it. That statement does not make me a nice guy, a good guy. I acknowledge the darkness. Consumer robots are eating the earth, would i wipe them out to save the earth? I’ll bet I can find a way of killing the consumers without ending their lives.
Kill the consumers. What’s great about me is I am crafting my vision in my forties, it’s based on 45 years of experience. I’ve known wealth and it’s ravages, and have developed decent coping strategies. So I’m armored against being sucked into the borg. They’d have to throw a lot of hot and affectionate young women at me, super messed up and crafty ones. that’s their only hope of ever stopping me…
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here’s a little thought, what if the idea is to wreck the earth through over population which leads to environmental collapse and war, meanwhile robots are perfected and deployed to return the ravaged and depopulated earth to a paradise for the owners. how about growing up in that utopia, owners paradise?
This is a lame idea and sort of adolescent in it’s scope. but there may be a gem in there somewhere.
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Something else random. I realized today that writing down all my ideas is like trying to catch extra breaths in tiny bottles. The universe is always open to me and ideas are the air i am surrounded by. All I have to do is open my consciousness to imbibe the entire universe.
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what is cool about mindmap app is that i can look at ideas branching and make connections – even if they cannot be easily represented graphically. That would be level two, to then comment on the patterns one sees emerging and build patterns on top of those, to encapsulate whole branches and have them come back down to a single conclusion. note to MM developers.
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what we can say is that it’s the process of exploring and designing the self conception that triggers new branches and the thing shifts and grows. Can changing one idea shift others? it should be possible. I am a fucking universe after all.
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looking at the structure some more 08-03-09
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what am i is one of those life long questions, the purpose of a document whether it’s in mind map or something proprietary
but this sort of question is never conclusively answered, and so the purpose of a document about it is to explore and discover. that document is never finished but ever growing and becoming more complex and interesting.
so if we base a document on that, it will be highly transitorybut it seems things flow from that, like mission, business plan, how to do it all because those things are somewhat more definable, in fact these are the sorts of questions we use to explore the territory.

also these things could almost be worlds unto themselves, or at least they could point to documents that would be more fixed in content and scope. thought is set play, there are these fuzzy sets and we are constantly making distinctions about how they relate to each other.

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looking at v.02 structure
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what’s interesting about this is that mission and roles are interdependent, two ways to organize the same data.
Therefor, we immediately run into the issue of duplication and confusion between whether something belongs to one category or another, when in fact they belong to both at the same time.what i am imagining is a mind map where ideas or concepts are connected to multiple origins and or destinations, and the connections between the ideas becomes the vital ( i accidentally wrote viral) visualization.

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this sort of planning process is only relevant if there are consistant injections of reality, testing it in the world. I could project this extravagant document based on limited knowledge and vague desire, but life is not a manipulation of symbols, the best i can do is write poems that point, attempt to document in an impoverished way the actual experience, experience cannot be touched by words, only pointed to.so there’s no point in writing an owners manual, i cannot replace my life with a plan, rather the plan is a work of art, to record, point to, comment, play with the media toys and make magic. to explore creation and LANGUAGE itself, this toy that we have established to enhance the human game. if we keep in mind that symbolic language like writing is a derivation and an abstraction of speech, and that speech is a derivation and an abstraction of presence, of touch and sight and feeling the energy of the universe in the incarnation of a fictional other, then we’ll do something really interesting and worthy, I think.

and the dan kelly way is to say everything 3 times, because there are different viewports on the data, different personalities within and each of them must understand it in their own way, each of them are more often talking to each other and not so much to the other person in the room. We can turn this into a excercise, a mediation, say everything three times and listen to it sink like a stone tossed on the pond. let the words loose their meaning and ripple into silence so that the words vanish and all that’s left is what they pointed to, after all.

in conclusion… we should work on this document more because it’s a process of unfolding like any worthy practice. I feel the difference exploring all this. this document will be really powerful when consistently informed by experience, the results of tests, documenting miracles, taking the ideas and driving them around the block.

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what is a dan kelly?
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synonyms / roles
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getting sane and free
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the origins of a real life super hero
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making of a saint
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spiritual commando
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warrior monk
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educator
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self educator
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Film immersion
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why
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what we are currently doing is this thing called filmmaking. it’s a meta practise in that it gathers together just about all of what we want to be, in fact it’s a container for “everything”. as such it includes the ‘ready for anything’ principle.
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What’s powerful about this is that rather than pondering ‘doing it all’ and ‘superhumanism’ in abstract terms, becoming my idea of a filmmaker (just describing my idea of a filmmaker) involves meeting concrete objectives that basically take my breath away, that kind of scare me even. To achieve a certain image requires a radically competant fully alive presence.
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So this becomes the lever that moves the moon. A conceptual framework that bootstraps our perfect self into existence. Out of the shadows and on stage.
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Four essential practices are involved – technical fluency, creative juice, robust physicality and conscious design. In defining these four essentials I project a map of possibilities, and extrapolate new reality.
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so now i’ll say it the third time, for sake of the charm. Ideas are templates for energy. We are coding up the operating system under which the applications will run. A fortunately composed idea projects energy on to the holographic reality hypercube and then… things happen, objects coalese, sexual exploits are enjoyed, attractions are sparked, adventures unfold, love abounds. I am the ultimate idea.
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the premise
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knowing what we don’t know, that’s the best beginning. not knowing what we don’t know is risky in the extreme when manifesting an objective. imagine a library full of unread books. how do i decide which books to read first? which books are most applicable to current questions? which are dependent on prior knowledge? how can i avoid books that are interesting but esoteric? this is self education, to know (identify, catalog) what we don’t know. informed ignorance. diy film school is a comprehensive catalog of what we don’t know about how to make the films we want to make. once we know what we don’t know, we can decide what we most want to know and find other folks who want to know the rest.
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the premise
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components
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production company (legal entity)
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protocols
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pre-flight checklists
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prepare and rehearse to promote auspicious outcomes
(when failure is not an option)
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loss, maintenance, offered
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what needs repair
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what’s missing
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ready to sell (dates)
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lab notes, lessons, how things are done, debriefing
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preparation, maintenance, rehearsal, planning
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keeping the spaces clean – car, studio, closets, storage
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selling equipment
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gear
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crew
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storage, staging, transport
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sets props costumes
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projects
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finishing dog
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dog comprehensive to do list (assessment)
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Here is a list of everything left to do. Once identified each item has a priority assigned, and method and time assessment.
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(1) organization
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where the hell are the files? consolidate and duplicate
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keep current searchable catalog of all drives
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uncluttering P2 originals
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we are keeping all original P2s, and here is the organizing principle. going through each folder, we name them “no name A1”, “no name A2”, and so on. if we find a duplicate of A1 say, we name that duplicate “no name A1-2”. Then, once we verify that A1 can be imported without a hitch, we can discard all of it’s replicants.
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now that we’ve found the archival P2 directories, we’ll confirm that the original directory imports properly and toss the duplicate directories
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rebuilding the project
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consolidate the files on 1-2 drives
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we seem to have lost the original recording sessions for shortwave, where are all studio sessions?
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discipline
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this file is a mess, there’s no rhyme o reason to the oganization
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ADR lessons
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god even in adr steve was mumbling and blurring over words. how important is it that the audience can understand the dialogue? clarity, in this hasn’t happened to me in a long time, i didn’t give him direction to ennunciate! i did ask him to bring up the volume and somehow that squeaked it through. the point is, why go to all the trouble and effort to miss it at the moment of truth?
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one of the pitfalls of ADR is the robot like performances resulting from the repetition and the long sensory deprivation of the booth. how to keep that fresh? break it up over the day, watch for fatigue, physical and mental excercise and teasers, singing, wierd surprises, vulnerability.
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try and “get it” three different ways. first sync with a copy take, then clear enunciation, then variations on emotions, and so forth. then I’ve got variety in post to make the ADR take fit the moment, because it is changing things.
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always point the camera at the screen, takes can be evaluated rapidly in FCP without referring to the audio application
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same frame rate settings
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leave enough room before the target line so that the talent has time to breath and prepare before and after delivery
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unplug all charging devices before recording (they create line noise)
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keep the surround clean and organized. a clean and organized work environment is essential for sustaining quality work
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don’t talk in detail about other actor’s performance in ADR. for instance, i told carmen that steve wasn’t totally there and wanted to the process to end. this may have set up low expectations, if he didn’t really try then why should i, what does he know that i don’t know? maybe this is a waste of time and so on. rather set high expectations, he did very well, and i am convinced you will be able to reach the same high level of performance and professionalism (dedication, focus, access to creative resource, patience, perserverance)
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I could certainly learn more about managing others and what inspirs peak performance
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loop on a small section of the performance, one or two lines. the length of the loop will vary depending on the experience and memory of the actor. the loop should not have a long leader or footer, as this creates boredombut it should also be long enough that an actor can catch their breath and reset their moment before the section repeats. the section could be composed of up to four tracks – one track for the original material that is targeted for ADR, two for any cue material (the preceeding line from another actor) three for an optional timer, trigger or dot sound (a brazilian clave works well) if an appropriate cue doesn’t exist or the section includes long pauses between words and four the recording track. use a recording system that allows the actor to see the video and hear their audio, while looping and creating a new take for each pass of the loop. play back the performance and give the actor a chance to sync with it. some direction might be helpful, but let them listen and match as best they can first. then after they’ve acquired the rythym and sense of the line, mute the original performance (track one) while the recording continues. make sure to set it up so that the cue is still audible (track two) or if there is no cue then the timer (track three) is plainly audible.
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take frequent short breaks of 10-15 minutes, i’d say one every hour.
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setting up the session before the actor arrives so that cue and original performance are on seperate tracks, the timers are in place and the loop start and end points are marked is helpful to keep the session super productive. i didn’t do this for carmen or steve, because i didn’t know how.
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do not rely on actors to be motivated. motivate them. keep them working, keep the technical aspects, housekeeping and geek drudge out of their face. their enthusiasm is a precious resource, there is not endless amounts of it, especially when they are locked in a dark booth. so keep the energy up by letting them focus on the work.
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carmen wanted to know what was going to happen. an overview of the days objectives is sufficient
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(2) required repairs
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includes cognitive interupts, image flaws, continutity
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picture cut final, then sync sound lock, then foley, then effects, (effect before foley, but foley we can do immediately)
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edit – credits and length adjust, tighten door opening, right after her reflection blink
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act I and act II
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final cut
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there’s definitely fat in the second act, a lot of holding shots longer than they need to be held. the silence and the holding is a note, sound it sparingly for powerful effect. snip off a little in the beginning of “this is surreal”, after “please” etc.
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edit act II – in g’s cabin, g “wow” cut to c, disconcerting? (cross the line)
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i’m fine with it…
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edit act II – tweaked c’s eye open to hold just long enough
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edit act II – in g’s cabin, awkward and foolish lasts longer?
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problem -needed a little more room before we cut out, a matter of a few frames
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solution – difficult because c starts a dramatic and distracting head movement towards the end of his line, so we split the frame and show the back of her head from earlier in the take. i used the last few frames before her head bobs, then on the head of that cut away until the difference between her head position earlier and later was very small
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edit act II – by desk, cut g’s hands tighter?
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problem – g’s hand business lasts a little long, though I like it… difficult to find a matching shot of raising hands to come in later
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solution – perhaps if we add in some grunts and breaths for gerry in dialogue, otherwise we won’t worry. the silence is in fact a nice contrast to what happens next
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edit act II – g’s closeup with erection confession… the jump cuts in his closeup are there to match my audio edit of his delivery, acceptable for now, possible to smoth with AE?
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edit act II – with a jump cut waiting for “that doesn’t sound so good is 3 seconds shorter. the jump cut is 50% noticable. the choice is to cut it closer and leave the jump and perhaps smooth it in AE, or just leave the extra 3 seconds of wait in there.
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edit act II – bed, your serious right? can she do a little more getting under covers before we have hos reaction, then his short reaction might make more sense, he’ll have something to react to
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it’s fine, she’s getting under the covers, he get’s it
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edit act II – “please” cuts away quick, pacing?
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i like it i think, it’s quick but it works with his ambling over, it’s a contrast
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edit act I – joe’s phone responses could come a little quicker, unless we figure in the static then they’ll be about right
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solution – added static and on and off squelch. The scene seems to work now.
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edit act I – j “here… slide it around a bit?
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problem – the hand position holding the CD was quite different from the two shot to the closup. could have gotten away with it…
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solution – extended the tail of the shot because joe does a wavy hypnosis moment with the CD, this can be enhanced with a little MG so that the colors flash in her face and eyes. adds to the story, tells us more about j and c’s spooky relationship
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checking act I for any other options for tightening
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act III
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joe?
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new train (not)
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opening montage final
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narration approach
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earthquakes and wild fires
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intense storms
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collapse of consumer civilization
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nature calming
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healing
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vast dead zones
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diseases
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beleagered settlements
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deserts expanding
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submerged industrial centers
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paid your taxes
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rock the boat
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have a boat
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soaking in a hot tub
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opening montage challenges
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the opening… basically i don’t have a clear idea how to make 2 introductions work, one narrator and one theme song. unless the first one is very dark and harsh and the the second is light and fluffy, but what to do about images? I have enough for one or the other o think. a strategy could be to leave both of these for the motion graphics section.
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but we have to decide now, because we don’t have time to dilly dally. Let’s just say we start with the music one, and some intense images up front, interupt the entering boat sequence with titles, stuff it all in there. then make up for the lost minute and a half in the credits.
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I just think that’s the best approach, just tell a little story visually, but how to edit them without an audio spine? it’s a whole other job, a big one. we leave it for motion graphics fine, but we must rough it out now for timing and to expedite the motion graphics, otherwise we’ll be lost.
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solution, use mostly the theme song, with the best of the best as a rapid montage as the song is starting
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intermission – shorten
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new audio overlap…
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credits – final
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george zilliax, jonathan kelly, audio finish, director of photography, editorial, motion graphics, national park, all locations (steve) columns, philipp kaye (empire)
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length what’s the standard length we are shooting for 26:40
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3/21/08 2 length 26:47, must loose 7 seconds
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3/21/08 length 27:01 must loose 21 seconds
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3/21/08 length of changing scene 12:07:23 – 14:39:04 = 2:31 *
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3/21/08 length of end total = 3:40, less act III 1:45 = 1:55
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audio
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foley roster
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foley act I – a little electro activation noise for c’s short cell, both on and off
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intermission, sequence of broadcasters
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popcorn sync
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bra snap
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rustle, cloth
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foley act I – more hat business
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foley act I – slight sound of hat brim swish as she whips her finger off
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foley act i slight rustle of j’s jacket as he points to mirror
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foley act II – c shirt down rustle
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feet
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foley act I shuffling footsteps around mirror
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foley act II – crunch of glass underfoot
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concrete scuff, debris glass
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foley act I – soft footsteps as she approaches door
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foley act II – bed, before “i just want to fuck” blanket foley
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foley act II – bed, boot hitting ground (echo must match dialogue
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foley act II – gerry coming to door, foot foley, clomp clomp? cloths rustling?
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doors and creaks
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foley act I – c and j sit on bed
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foley act I – creaky door opening sound (theme)
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door 11, door metal squeak, door squeak, door wood squeak
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foley act II – bathroom door closing
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foley act I – creaky chair, chair slide as c get’s up to answer door?
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foley act II – c drops to bed better foley, squeaky bed springs
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human
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foley act II – jerry’s neck cracks as he tilts back after AwwgH!
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bone break 1,2,3
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foley act II – bed, mouth sound to match her tongue against teeth moment when she leans back? slurp!
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foley act I – popcorn chewing while watching g
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foley act I clapping hands and snapping fingers
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foley act II – before pk line, g licks lips foley
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foley act II – c takes deep breath in shirt
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foley act II – bed, hand on leg slap louder
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weird
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foley act I – bra it’s close but not quite there
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foley act I – sound effect on j’s fast turn, optional, mg to make it sort of creaky
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foley act I – better bra pulling sound, stretchy… two phases, earlier when she makes it taught and later the full monty – guitar strings?
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foley act I – robot arm noise on joe when he inserts CD
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foley act I – rustling of the bra, make the audience aware of it in prep for the business with it
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foley act II – gerry coming to door, sounds of chemical fizzing and dripping liquid from spill
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bathtub drip
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tech
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foley act I – better shortwave for joe on phone
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elliminate tuning moments…
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foley act II – bathroom light switch
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foley act II – light switch in bath
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foley act II – in g’s cabin, foley for g clicking light and brighter room
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dialogue
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dialogue act II – g, “hi” a little more surprised, current take he sounds very unexcited
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dialogue act II – in g’s cabin, c “the year you were born” sync seems off (louder)
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dia act II c, “you’re a rabbit” and “i’m a dog” louder more punchy (2)
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dia act II g, with goal posts, could we have some breaths and snorts? does that help? (2)
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dialogue act II – closet, “you’re myterious” echo (5)
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dia act II g, “is there time” wierd popping noise (thought I had this handled)
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dialogue act I – c, “are you an angel” sync?
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dialogue act I – c her transition from “shit” to “sorry” is it going to work?
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dialogue act I – c’s snort’s after “no actually”, loose that
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dialogue act I – is christina snickering, laughing after “cosmic squirt”
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dialogue, should joe say “ahhh…” after “cosmic squirt”
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stereo, should the dialog move from left to right depending on the position of the actors?
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lock audio so we can go to post. al that’s left will be CG
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motion graphics
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act II
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mg act II – long hallway, red hall?
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red hall – wires on steve’s door the trick, the door swings open
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red hall? in hall her reaction to crashing glass is still cartoony, more authentic? – red helps this mucho
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mg act II – long hallway, red hall fixes abrupt reactions of c
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mg act II – long hallway, flickery reflections in picture in background of hall detract from the shot
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mg act II – long hallway, dead birds carry contagion and other posters
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mg act II – christina at door, red?
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mg act II – in g’s cabin, foley for g clicking light and brighter room
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mg act II – in g’s cabin, where’s the pink shirt
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missing in all carmen close-ups near closet (5 shots)
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mg act II – can we smooth the jump cuts in g’s close-ups?
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mg act II – “tired of pretending” carmen can be seen bouncing in the reflection. either add foley to match her motion or replace picture with gerry memory or maybe blueprint of the ship
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mg act II – c goes to closet, tape on the wardrobe at right of screen
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mg act II – “we just have to” fix c nostril shadow
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mg act II – books, brighten books in concluding wide shot
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mg act II – bathroom, broken chemical glass and bottles? – how many shots
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mg act II – bathroom cabinet full of books
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mg act II – before tea, gaffer tape on closet
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mg act II – “we have to make love somehow” radio transceiver n thigh
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opening montage, should this be part of mg?
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warehouse, fire?
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007U7 shot of broken rails
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uncle joe traveling
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0027X9, 00241C, 0026H3 rails into forest rails into rainforest 00256B
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00051I smoke stack
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00160N shoreline concrete
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0008WB, 0007CG weight limit sign
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0007R6, swamp
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00075G close up of sspended train car
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003CU bricks close on beach
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0013G7 another really great closeup of bricks and water
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0032Y misty morning water
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0017Q2, 00198Q water and bricks with sun
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0011Z8 water with silhouttes, could be mailboxes or something on the top of a building
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assemble all usable shots for possible speed up and then stop
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what’s the strategy, how does this thing start?
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act I
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mg act I c glances at camera, can we fix?
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mg act I – the door is slightly ajar, light is coming through, black along the seams both as she opens and when they are talking with it closed
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mg should joe have a PKD pin?
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mg act I – continuity, christina’s dress tag (near shoulder) is invisible on first approach, then visible
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mg act I – joe’s radio mic is visible at collar of shirt…
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mg act I c’s receiver when she bends over for popcorn
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solution, cut her going to cabinet and bending over
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mg act I – scratch on window as christina wears hat
same scratch joe
“poeple everywhere would realize”
“got this handled”
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can uncle joe be more plausible? makeup is not totaly convincing
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or the bra scene, could we do something sort of like the impact scene from clockwork orange? several moments in there – what? flashback
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mg act I – extension cords in corner of cabin
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mg act I – “believe me it’s important” when christina turns back, room gets darker… why check original files
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cause – an iris adjustment during shooting most likely, although i don’t remember being by the camera at this point.
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solution – using keyframes on the color corrector and slight increase in highlight value over the three or so frames that the scene darkens
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also changed old color corrector to bring correct excess luma and copied color corrector to previous shot (same shot) to match
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mg act I – c rises up, cut to mirror. she’s in darkness, she could be a little more in the dark there then emerge into the light… naw
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mg act I – what’s the plan for the water through the window? mask with orange filter to match tungsten interior light
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mg act I – c. “yes” window scratch on hat
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mg act I – red hallway, whenever door is open inventory the number of shots where this needs fixing
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mg act I – c shuts door – extension cords
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mg act I – j, “people everywhere would realize” scratch on window on j head and right of c
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mg act I – c, “that means I got to find a boyfriend?” no tag on dress… is it mostly out or in, check all scenes
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mg act I – j, “we’ve got this handled…” scratch on window
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mg act I – j, “here, check it out” hypnosis, the CD light is playing on her face, he flashes it on her eyes and she blinks
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mg act I – the gerry picture could be more processed
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mg act I tag on dress as c approaches door
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montage
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broken windows in museum, smoke billowing out
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donkey barn needs metro sign
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skyscrapers over the road with tunnel
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cruise ship
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highway
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hallway in ship needs red light and perhaps water in porthole window
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mg strategy, which images are the priority? CG and re-edit montage after
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act IIIa
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mediatronic pages for eiji and joe
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airplane hitting building on “joe?”
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change color of caboose in third shot, we have a release from the NJ train people.
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mg all – boxes – “refugee chow” USE
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length what’s the standard length we are shooting for 26:40
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the opening… basically i don’t have a clear idea how to make 2 introductions work, one narrator and one theme song. unless the first one is very dark and harsh and the the second is light and fluffy, but what to do about images? I have enough for one or the other o think. a strategy could be to leave both of these for the motion graphics section.
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but we have to decide now, because we don’t have time to dilly dally. Let’s just say we start with the music one, and some intense images up front, interupt the entering boat sequence with titles, stuff it all in there. then make up for the lost minute and a half in the credits.
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I just think that’s the best approach, just tell a little story visually, but how to edit them without an audio spine? it’s a whole other job, a big one. we leave it for motion graphics fine, but we must rough it out now for timing and to expedite the motion graphics, otherwise we’ll be lost.
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rationale and strategy 03-15-08
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here’s a working schedule for finishing… assume we are poised for picture and sound lock by 04-15-08
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finishing
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assemble for rough timing – decide where to chop
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current length of “z cut 26:40” is 26:50
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no trim on changing scene yet 3:30
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no trim on credits 2:30 total – duration of three scenes…
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what’s lost on changing can be added to opening montage…
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3/20 picture lock – sync sound edit is complete
placeholders for cg and motion graphics
timing is complete, duration with credits is 26:40
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act I and act II
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for parts where uncle joe’s dialogue fixes edits, we just quick record it
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changing sequence cut mu mu, overlap all the audio (where is this version)
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opening montage ~ toilet, cruise ship, etc. black and white theme as shorthand
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act III
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credits ~
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3/23 ADR
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3/25 foley
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3/27 prep audio finish – pass to mixer
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3/30 trailer and web site
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4/10 CG and motion graphics
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learning curve
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AE
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Photoshop
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Blender
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revise opening montage and act III
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visual lock
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art – postcards, DVD, poster
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picture and sound master
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digi-beta transfer, telecine
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DVD duplication
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festival applications
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rationale and strategy 11-25-07
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(11-25-07) two objectives to finish by year end are 1) accounting / taxes up to date and 2) complete DOG. DOG has the higher priority, but they are interdependent. Once DOG is reassessed and underway and we feel that completion by year’s end is realistic, we can do a couple of hours of accounting everyday, that way everything will be steadily coming to closure. There are 30 days in November and 5 days left, then 11 days until we blast off to Swiss. So that’s 16 days. In that time I want to wrap the demo reel, assess DOG, configure a traveling ADR rig, record UJ and perform a fine edit. That’s a lot.
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Then there’s the 8 days in Swiss, and 11 days until year end. Minus 4 days for travel and 2 days for holidays, plus another 2 days for random fun. So there’s really 11 days left to complete the two objectives or 22 days total.
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If I am efficient and focused, these goals can be reached, but that means we have to clear our plate immediately, and get rid of the extras that are floating while also maintaining marketing. two marketing efforts are dance and the general reel. We’ve got to keep the reel straightforward for now, stay focused on what the reel is supposed to do, create work.
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future
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note to self – we can create a wide palette of elements by including just a few prop details in the shots that would otherwise be unnoticed, but later on during effects they can be the foundation for a whole universe of storytelling with foley and motion graphics.
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(3) aesthetics
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balancing out the flow and feel
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(4) enhancements
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that which would be very cool
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copyright
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almonds
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remove msr
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after effects on almonds
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audio sync
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edit.artisthouse.com
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for editor work, what else does my page need?
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core values
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does it matter what your editor is into? how about the end of consumer culture? or the restoration and stewardship of the global ecosystem? or the activation of self educators? and having a blast in the process?
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resume of editing work with examples
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laura – dan flavin
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philippa humorphous
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500 in 10
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in production DOG
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resume includes related experience
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music
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painting
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directorial etc.
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references
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laura
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philippa
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commercial
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pictures of production suite
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all the drives
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books
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both screens
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photoshoot
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reel 3 minutes
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emphasize my strength which is creative, fun, accessible, cognitive
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cognitive approach
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repair and completion of short projects
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always have critical documents installed
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Dan Kelly’s editorial benefits from a broad spectrum of disciplines.
The editorial process benefits from a fortunate balance of technical and aesthetic competancy.
Being good at a lot of things defines the creative professional
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the operating principle
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what guides me
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what makes me unique
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why diverse knowledge and experience is powerful
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why hire an artist
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why i am better
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what have i done
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what will working with me do for your project?
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rant
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what guides this unique force poised to transform human conscoiusness. I can only use my powers for good. here’s how i define good. I am not about selling product to consumers. what would the world look like if we transformed consumers into consciousness. what has to be done to humans to make them into happy consumers.Dan Kelly started artist house as a sort of amplification device for consciousness. The principles which drive consumer culture must be dismantled, they are sucking the life from the majority of earth’s inhabitants for the benefit of the few.

Consumer culture is

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My work is informed by four principles – technical competancy, the desire to transform global consciousness, an unique aesthetic creative sophisitication and an intuitive fluency with the cognitive process.
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The Artist house aesthetic, what means for your project.
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Our way is not for every project. Most decent post houses are staffed by technically savvy and well organized editors with access to the most productive hardware and software tools. Beyond this baseline, budget becomes the deciding factor for who to work with.
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a war machine, constructed on the 3rd floor of a brooklyn brownstone. destined to do battle and defeat consumer culture. That’s what I am building.
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it doesn’t matter what my philosophy is, I am looking for allies with funding, folks who are profitably doing good work. is there a parallel economy or life web that is not consumption based. definition of consumption – the squandering of non renewable resources for the profit of the very few. The promotion of slavery as a lifestyle, the occusion of self interest and the obscuration of outcomes to sustain an absolutely destructive behavior. something like that. To consume burn use up what is in limited supply. The way of nature is to replenish and cycle resources, not to elliminate them. Consumer culture takes elemental resources and combines them into things that cannot easily be unbound, consumers dig up what the earth has buried and poison what the earth has purified. they kill themselves and their children. consumption is imposed upon us for the benefit of a very few and it would be one thing if we slaves were just forced to support the master, but in the process of supporting the master we also kill ourselves and our children. That to me is the double pain. Why would the masters wish us to kill ourselves and our home, for their children must live here too, unless they have the means for moving on. That’s why I suspect that the masters are not terrestrial in origin, the outcomes of this imposed system clearly demonstrate a disregard for outcomes, as if the outcomes don’t apply to the masters. This planet and everything on it are resources to be consumed.
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suspect beauty
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so what does this little post production house have to say about that?
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current project
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doc on indy films in nyc and how to moake them trickx and tips
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lover
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brother
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explorer
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genetic bad ass
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resource savant
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grand visionary
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the poeple’s position paper – declaration of peace and justice
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space war technology is sanctioned. The lofting of plutonium – for the hazard posed by launch and eventual re-entry. the testing of satellite killers for the clutter created in the atmosphere
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violations are crimes against the poeple and the earth. violators will be documented and neutralized by whatever means nessisary. This means that global people sign on to a declaration that is in their own interest, becoming a citizen of the earth. Affirming their allegience to the earth nation over and above any other nation as defined by the laws. a landless nation, a web nation, or in fact the entire world as nation, we claim the earth for the poeple of earth. it’s an interesting mind experiment, because what if the earth citizens signed on to this document, then the citizens would consider themselves earth people residing in the alien nation
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polymath
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how to do it all
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why do it all?
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why do it all?
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motives and outcomes
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earth
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awakening
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presence – feeling fully alive
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my kind of ‘fun’
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epic adventure
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realize experience full potential – universe!
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vision
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the natural slave aristotle – what’s the condition of most of the human beings, have they been taught to be natural slaves?
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a toxic awareness toxifies – the awareness of balance vs the awareness of ownership
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combing the snakes out of his hair – two women
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immunity to slavery = freak
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freaks – the definition. the default human is slavery friendly, to be born a freak is to be at constant odds with the established and accepted. it feels at first terrible to be a freak, because we can’t fit in, we are without a community, we are outside the family and the culture. If however, we can find the nipple of our sponsoring diety, we survive and prosper, eventually becoming strong enough to not only notice our relationship to the oppressor, but to be effective in toppling it. hail freakoskos. jesus was a freak.
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freaks can’t be slaves can’t be freaks
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but oh how the freaks are hitting the sand these days like the allies at normandy, getting mowed down by machine guns but still we come, here we come
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resources
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mayflower
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consumed
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4 arguments for the ellimination of television
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with jon
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i’m a billboard now
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reduce reuse recycle
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why me?
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who are the allies?
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can i make it?
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follow desire… live a life designed to excercise, challenge and awaken all the aspects.
daily / weekly opportunities and objectives. documentation. review and
analysis. demonstrations and deliverables. repeat
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filmmaker
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script ideas
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forgotten gods
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like the heechee, humans are hiding out. they used to be some pretty bang up beings in the cosmic drama, but they ran afoul of something and needed to hide out, they needed a safe house. how about an obscure little planet at the rim of a non descript galaxy? here humans pretend vigorously to be clever apes, they pretend not to be god so as to be left alone. for if it were known that they were god, then there would be hell to pay. my ball aches.
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no story, race relations
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Two doctors in the ward of the hospital one black, one white walkin toward a patient’s room.the white doctor – thanks for coming, i think you’ll find this case interesting

entering, “ok howard tell the doctor about your feelings…”

“Well Doc it’s like this. I think that like so many other white guys, i have this incredible need to identify with black people and make some kind of personal reparations… you know… for slavery. it’s really bothers me and see that’s driven me to this wild fantasy scenario, about the masters of earth and how the race thing is this sort of divide and conquer strategy implemented by non terrestrials, off worlders. I don’t like to say extra terrestrials because there’s no extra about them, they aren’t better than us, they are just greedy colonizers and empire builders, ragtag conquistadors lording it over tiny planets in out of the way corners of the galaxy, exploiting them for all their worth. All human beings are slaves, to keep us from ganging up on the masters they split us and make one skin the field bosses… and the only reason they didn’t use eye color instead of skin color is because skin is easier to see from far away. There’s all this imposed hierarchy – the men over the women, the light skins over the dark skins, the humans over the other animals, authority over experience. the dark skins maybe are naturally stronger and more noble than the lights, smarter even. so they make them the lowest, they get the worst treatment. they tell the white skins they are better. there’s this whole system to subjegate the planet, keep everyone down, one against the other. what do you think doc, can i be cured, is there hope?”

black doctor, fatherly – “sure son, you’re gonna be fine…”

black doc takes the white aside… lethal injection, under my authority. this is a virulent meme that spreads like wildfire through the population, you were right to keep him isolated. orderly?”

a hundred short scenes, glimpses.

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king lives
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alternate earth breaking through to our universe, where martin luther king goes fully radical and anti-capital and the assassination in memphis never happens, MLK goes on as the presidential candidate and the race issue implodes, revealing the alien occupation. the agents of the alter earth are black and beautiful, coming through the gateway to trigger some dramatic shift here. perhaps because mlk survives there, something opens up here that is desirable to them. or perhaps our earth is one of the few where the information is still available in a somewhat undistorted shape.
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painter
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human being
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here is what sustains
our abundent energy
and keeps us looking
and feeling good.
This is for myself.
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4 hours
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practice
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physicality
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superhero
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tai chi
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yoga
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objectives
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yoga 3x week
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tai chi ru yi and sword
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weight vest 20% body weight 4 hours a day
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food
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indian
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fresh and raw
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sprouting
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fasting
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journal
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hygiene
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relationship + sex
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languages – spanish
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friends
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8 hours
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sleep
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dream
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heal
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human game – cultivating auspicious qualities
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creative juice
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creative juice flows from two things combined
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playing, opening, practicing deep awareness
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sparking the spark – doing!
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painting
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music performance and composition
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stimulating experience – camp, love, movement…
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getting better and better
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showing, sharing (with the right people)
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fitting pieces in the big puzzle
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what the hell is really going on?
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success, objectives achieved
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the juice is an urge or spark that makes me want to do things. the spark glows all by itself,
but at some point we must provide fuel to sustain and brighten the spark. that fuel is success.
success has two parts, completion and effect. effect could be the appreciation of an audience, a crucial lesson learned, a change of awareness or simply income. success is needed to keep the spark going. artists die because they never noticed the effect they had on the world. optimism acts like an octane increasing additive, it stretches the success farther. conversely, pessimism reduces the effectiveness of the fuel. optimism alone is not a fuel
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robust physicality
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let’s face it, the body is the foundation of all this. sitting staring at screens as a primary activity is a recipe for disaster. my idea of filmmaking requires that the filmmaker be in top physical form, for she/he must be equally adept regardless of where the camera is looking. the power to be
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conscious design
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efficient, organized, disciplined
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thriving social network
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feeling gregarious and wildly respected
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director
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confidence, vision, integrity, persistance, wizard, genius, mystic, unstoppable
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financial fluency
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credit cards handled
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credit report repaired
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fundraising
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emergency reserves for completion
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profit perspective – show me the money
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made in nyc tax incentive
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newsletter from the mayors film office
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savvy and excited about the financial angles
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technical fluency
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this is a huge domain and the process of mapping it will be both stimulating and daunting.
there is so much to know – the secret is to know what to know, and what not to know, to
acquire equipment at just the right moment and allow it to pass from the hands when the job
is complete. acquiring knowledge is a strategic investment, it’s great to learn things that remain
current and risky to invest in that which is likely to obsolese. are there universally useful things? can we be flexible in thought and conception? How does forgetting fit into all this?
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and another thing, we ought to identify our learning priorities and put together a curriculum
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knowing what we don’t know, that’s the best beginning. not knowing what we don’t know is risky in the extreme when manifesting an objective. imagine a library full of unread books. how do i decide which books to read first? which books are most applicable to current questions? which are dependent on prior knowledge? how can i avoid books that are interesting but esoteric? this is self education, to know (identify, catalog) what we don’t know. informed ignorance.
diy film school is a comprehensive catalog of what we don’t know about how to make the films we want to make. once we know what we don’t know, we can decide what we most want to know and find other folks who want to know the rest.
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what we don’t know – a million questions
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camera and shooting
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scene files
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white balance
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shooting cards
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where’s my lens?
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return PD150 battery device
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get new batts
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steadicam
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preparation protocol and checklist
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automate
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what’s the use of scopes?
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when should I care about pull down?
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sound recording
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best options
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new radio mics (sell the old ones)
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editing
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sliding and shifting
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organizing consolidating projects
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workflow, logging, starting a project
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archives
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technique tests
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effects
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after effects and how to use it
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plug in library
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blender
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shooting at P’s
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up on the palisades parkway
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noks auto fix tire
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(sustainable) cash cow
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business plan
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how to succeed
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financial dashboard
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surviving in this mileau
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cash flow
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cash assets 03/07/08
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$10,916
– $1275 rent march
– $3100 laptop
– $800 1 tb drive
= $5741 total
– $700 carmen
– $1000 jonathan
– $300 trevor
– $200 lance
= $3500 total
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debt total $20600 @ 0%
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monthly income $2000
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$2000 reparations
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monthly expense $1875
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$600 month debt service
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$1275 rent
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production
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revenue 40%
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real time returns
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marketing
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call deb
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philippa DVD assemble
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end of year newsletter to clients
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services
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edit
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performance documentation
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project development, design
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need time billing app
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dance.artisthouse.com
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post new dance
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monkey
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chris
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deb recent versions
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contact dance venues in NYC
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the field
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harvestworks
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nyfa.org source or nyfa current or nyfa classic
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dtw
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merce cunningham
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baruch college
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liu brooklyn
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bax
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brac
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spoke the hub
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3leggeddog.org
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monkeytown.org – montgomery
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fracturedatlas.org
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92nd street Y
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catherine tharin
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renata polish name
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fri at 12:00
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sunday at 3:00
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there going to get more high end artists if they hire pro doc, big hollow space with old people and no lights.
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mailing
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jonah’s email? the other photographer?
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why update dreamweaver?
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film/edit.artisthouse.com
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• jobs are happening constantly that I could shoot when i have examples and a reel…
• the approach is to knock off a combo reel with camera work and edit together
• camera work must be improved – better preparation and practice (whether i call myself a cinematographer or not)
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what’s makes a good reel?
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1) trailer
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content
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frank and lectures
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ndong
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from almonds – flowers, arrows, slugs
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dog – ship, carmen and steve depth of field
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dan flavin
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humorphous out takes
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dance montage HD
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plenty of flavin
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rehearsal with monkey
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performance monkey
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zoo moments
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gerald
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notes – shorten chris and toby scene at zoo
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add toni and alexandra bellar
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toe socks
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artist house
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story, direct, camera, edit, effects
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edit
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documentary
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ready – humorphous
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ready 500k in 10
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can we soften the spinning?
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original editing files?
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frank porcu
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permission
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drive with quicktime captures
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almonds – reel
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copyright
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after effects to elliminate MSR
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saint
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needs releases
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music
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yemiyen
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full sized
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re-edit to include planet
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music sequence from DOG
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narrrative
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my qualities – what I want to convey
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* compelling camera
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* engaging editorial
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* professional innovative
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talented top notch collaborators
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interesting projects
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sense of humor
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great rhythm
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variety of ethnicities, places and situations
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fun
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capable, adventurous
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mystery, an enchantment
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comfortable with animals, outdoors, wierdness
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2) DVD
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menus
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complete examples
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humorphous
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500k in 10 (not ready)
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behind the scenes, extras
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label
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duplication
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3) distribution
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post on web
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build edit pages
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email to hook me ups
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film resources
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ifp
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shooters
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indy wire
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tank
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other
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motion picture collective
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dctv
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manhattan edit workshop
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managing properties
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4077 Crystal Drive
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paintings, image-bank
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properties 30%
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building benevolent revenue machines
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perception
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short narrative festival project
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micro documentary / reality show concept sketch
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education 20%
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critical knowledge required for revenue
and/or to complete or develop projects.
knowing what we don’t know
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what code language should we learn
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collaborations 10%
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developing property with complementary artists or entities
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electrolux
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watch landscapes,
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clean the house
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way archive
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marketing
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revenue streams
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assets
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insurance policy
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equipment
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and so forth
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mission 08-03-09
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sharing the rapture of a trip on the mothership – (1) benign
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activating global consciousness with mystery and surprise – (2) an annoyance, troublesome
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healing earth by restoring wilderness – (3) terrorist
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human depopulation – armageddon
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crashing consumer culture
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taking the profit out of ignorance/arrogance
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a Dan is what he does
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these to do lists feel overwhelming… there must be a better way.
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finance
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examine cash flow, update what we need each month to keep going
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how can we increase our revenue? what are our primary revenue efforts?
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sell all extra equipment – big computer, radio mics, etc.
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file federal taxes Dan Kelly
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strategy – dan takes revenue and loss, ah modest profitthis makes my corporate returns straightforward

tax attorney with CPA

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when was corporate ownership transferredcan books be cleared as of transfer date

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file corporate returns
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add budget doc as hyperlink
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remove con ed from access to commerce
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marketing for revenue
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expand on our short and long term plan
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short
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finish dog and almonds, launch
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promote for performance and edit
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long
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finance a feature project
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social
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new flock of women in my life
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update nerve profile
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shop, revise wardrobe
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on the street techniques – more conversations, catch the eye and say hi
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have cards
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education
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where is swami?
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india
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where is he in january?
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anything i need to got there
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how long
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values, mission, vision
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AE 1 hour daily w/notes
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physical
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change xvest to loose elastic
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ideas
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neutral gray room
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painting as road trip
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iceberg long under tops and bottoms that fit
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dog
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squirrel shot
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ink
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printer
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paper
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laptop with scanner software
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movies
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trickster pictures LLC in new york or michigan?
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resources on LLC specifically related to film distribution
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domain name registrar and server outside of usa jurisdiction
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security
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public key encryption
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truecrypt for mac
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done
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2008
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january
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01-03 Thursday
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coop make-up 10:30a
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deposit checks
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iphone dub cable
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iPhone TTY Adapter
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preminger 2:55p
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01-04 Friday
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coop trade for melanie
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preminer with melanie
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chi dancing or philippa
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01-07
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spanish on the iphone
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check credit cards
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review items for silent auction at MOPIC
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01-09
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prep DOG project for completion (see properties)
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organize room – where is everything?
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more ADR
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01-24
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carmen arrives
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march
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08-03-06 reviewed – done
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fix tire car
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fix tire bike
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oil change
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lights upstairs
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credit card update
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gloves at S and A
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keys from mm
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track shoes
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hammock
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stocks
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deadline? trademark attorney – artist house, inc.
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asked Matt Posner and Innes Smolansky
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do some preliminary reading so we can talk intelligently, even call.
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better merchant card (spending $50/month currently) advanta?
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new credit card now! transfer balances out of 0 apr cards that hold their rates for new purchases – need $8000 new credit (4k for wells and 4k to spare)
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mail checks to SS
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laundry – shower curtain
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transunion customer service (866) 744-8221
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saturday – 1/12
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financial discipline = what have i spent? cash advance, new work
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edit.artisthouse.com = we’ve got to get more work. finish edit and update dance
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approach for amy
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2007
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done
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October
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done 10-25-07
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emails of posted dancers
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mailing
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Alexandra Beller sent (responded, no survey)
Amy Larimer sent ()
Bill Young sent ()
Christine Suarez sent ()
Clarinda Mac Low sent ()
Dana Hash Campbell sent (survey)
Debra Wanner sent ()
Eun Jung Gonzalez sent (responded, no survey)
Gerald Casel sent ()
Kara Tatelbaum sent ()
Katie Ott sent (responded, no survey)
Laura Peterson sent (survey)
Marion Ramirez sent ()
Philippa Kaye sent (survey)
Tamar Rogoff sent ()
Elise Knudson
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get updates – join the mailing list
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survey – is this archive useful?
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copyright on all
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FAQ
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launch mailing!
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mail check $1500 state savings
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dctv and shooters hookup 10/26
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prep for philippa
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done 10-30-07
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deb wanner sync sound
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done 10/31/07
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capture mini-dv dub
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invoice
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the field notes
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November
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11-30-07
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deb $525 paid
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deb wanner copy files and organize
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organize bank
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prep projector connections
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invoice to dana
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11-26-07
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invoice to deb
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11-24-07
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booked ticket to swiss
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registered AE production premium
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letter to carmen about ADR
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coop makeup
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tai chi
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nap
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11-23-07
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heidi $100
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talked to carmen
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pause – remove name on web site
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11-20-07
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standing rig table
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after effects upgrade package – photoshop
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11-19-07
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lower ambience place/setting
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sound transitions smoother in she stories
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11-11-07 deb wanner project
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patgonia shell 300 credit
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11-16-07
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dctv distribution
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burn
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configure dvd
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all chapters configured
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plays in correct aspect ratio
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drop off
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demo dvds for distribution
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11-15-07
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trying to heal cold sore
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went to mopictive and war made easy
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established design for debra dvd
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11-14-07
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email all hook me ups
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parking ticket paid $45
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license suspension paid $125
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laundry
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new credit cards
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paid laura
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philippa picked up monkey
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11-12-07
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list for credit cards
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11-10-07
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edit time for she stories
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deb wanner edit
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where is credit sheet?
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11-09-07
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compost!
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fix sound at beginning of she stories
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11-08-07
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prep my editing demo reel
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jon ed clare
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repost projector
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pauliina mini-dv and dvd
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phone messages
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11/04/07
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hard drives 2 q drives
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blank DVD
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cable ties
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done 11/03/07
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batteries
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back up p2s
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yoga
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kit
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car
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eat
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done 11/2/07
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repost video projector
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pay rent 250 St Marks
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cash advance to cover rent check
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prepare video for archive
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post new version of place-setting on web
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post catey ott and philippa – DVD
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done 11/1/07
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by artist
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clean house vacuum cleaner bags
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find a shooter for unhola laura
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December
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12-01-07
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phil charles $1275 (through december)
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trevor $500
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sold projector $2000
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12-05-07
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state savings steve zilliax $264
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deposit to state savings $2264
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12-07-07
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ru $400
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12-13-07
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boots
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weight vest
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bike helmet
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haircut
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wbai archives for heidi
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xmas
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allison
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master ru mediation cds
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luke
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er4
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jonathan
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icebreaker top and bottoms
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patrick
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surefire 6pLED $85
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fuck you fuckin fuck
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sarah
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surefire 6pLED $85
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steve
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human game
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mike
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er4
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mom
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weight vest
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dad
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iphone
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heidi
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icebreaker long underwear
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jon and laura * maple syrup, alphabet cookie cutter
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britt and family
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nana
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sure fire clips
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$800 iphone
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$147 sounds true
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$560 icebreaker
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smartwool bottoms
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old phone so we can do contacts
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cats
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order weight vest for mom
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clean bath
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squirrel
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mail to laptop
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21 arrive – heidi?
22 party and jim and gretchen
23 bear lake
24 M and D
25 bear lake christmas
26 mike and sarah
27 blender
28 blender
29 squirrel
30 departure
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edit dog
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laptop
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3 hard drives (2 dog, 1 for new p2)
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AE tutorial
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wacom tablet
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laundry with
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load table
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tonight shopping
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ip6 headphones, another hard drive
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iphone(s) and car charger

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organizing and structuring can be accomplished in stages, we need to move forward with production, we know what needs to be done regardless of the current state of the structure.

 

 

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