Notes 2025 Chapter Leviathan
Added Joe's voice, singing classic 70s pop hit, Fly Like an Eagle with bicycle percussion accompaniment, to make a stronger connection, as if Joe is in communion with these new boxes, training them fresh from the autofax.
Leviathan - New boxes deployed in meadow. Prologue - Joe training an intelligence. Boxes - Joe arrives in meadow and boxes are integrated into the network. Conclusion Joe was training these (new) boxes.
• Do new boxes need to be integrated into network by Joe, personally? How would he keep up with the hundreds of deliveries daily? No
• Is it coincidence that he passes the very box cluster he is training? No
Resolution
• He has caused boxes to be delivered here, so he could have a local node for rapid communication.
• Boxes fresh from the autofax have already been altered, running Joe code. Joe is training the (meadow) cluster because no delay, doesn't require Airship relay. Then propagating new cognition to the entire network. He has been traveling in the hinterland between human settlements, Christina's big boat moves and is now in a remote-ish location, box deployment isn't as dense. Joe causes more boxes to be delivered ahead of his travel route so he can maintain fast connection.
• The song (should we decide to keep it) could be a homing beacon or delivery location for the airship. shortwave static.
re labels "from the mundane to the improbable, at least in any other epoch of human history." Not sure this fits, what other epoch of human history has been referenced so far?
There are 5 transitions of the boxes 1) stalactites, 2) bird, 3) spores, 4) parachute, 5) field of boxes boxes.
There are 5 demonstrations of the changeability of the boxes, the audience sees / imagines the boxes falling apart and assembling. However, the shapes are created flat side to flat side. There might even be tedious description or inference that this is how the tech works, with close ups of boxes mating. This could be sort of sexual, maybe the boxes bounce together in a rhythmic pattern before they connect, like fucking. We foreshadow here, the boxes are going to be the goddess.
The patterns they makes as they fall could be busby berkeyesque, spiral graph ballets before they spiral into some more mundane structure. These fucking boxes dance and are gorgeous. Making flying logos sexy, I can so do this!
Flowers, firework patterns, fountains of sparkles like cum, a rotating disk turned edge up to form a parabola of the DOG logo. If we see these boxes dancing in the sky, a delicious visual poem, between each transition, when they finally come to rest and start displaying tacky ads, there's lots going on there cinematically - spiritual vs earthly, the secret life your delivery boxes, the mundane as the mask of the virtuosic, when you leave your house, what if the furniture started dancing with the cats?
Also the sky sex, wtf was that all about? Would they form trains and tunnels as a commentary on the vanished culture? The box patterns are influenced by the coming thing, which is pulsing powerfully from the future to the now. All the overlayed multiverses, they all feature some transcendental event of goddess creation, the density of the events is attributed to the precise timing of uncle joe, everything that can happen is timed around the fertility of 5 or 6 women.
The boxes only mate face to face, electromagnets are either on or off on specific areas of each boxes face, the magnetism isn't variable across the box face. This means that while the boxes can mate lined up or with faces offset, they cannot mate if the faces are angled. when a form is created, it is fixed. There is no articulation. The stalactites are now an egg or bomb shape (cool, misleading), or perhaps the bird already (naw) they need to fall into a bird. the bird is basically a paper glider, the spores are wind snaring solids, the chutes are upside down bowls.
Later, the last scene maybe, the leviathan has an articulating sail made of boxes. She Box and Joe are sailing off somewhere, THE END
The dance and transition into forms could be a great place for opening credits, as long as we don't throw away the fireworks, they'd have to be sweetly integrated. Credits appearing on the boxes? Crazy. Maybe.
How sailing might work.
Now the stalactite structures ought to be helping leviathan with at least streamlined shape. What if the boxes formed a sail? The tentacles could be a rudder, rubbing against the constant neutrino shower, which would coming from the origin of the big bang? In an expanding universe the shower of neutrino would be coming at Earth from all directions, so there would be a consistent ocean to provide drag. Also half in half out of the here and now. A spherical planet at the center of a lit sphere.
Strike that, most are coming from the sun, according to wikischmedia. So if sun, the angle of flow relative to the Earth's surface would vary diuring the day, and be relatively absent at night, except for the occasional cosmic origin. If big bang then see above.
To make the point crystal. An airship that could sail requires an interface. A water sailboat's hull offers the least drag in one direction only. forming a vector in the water. It's much easier to move forward than sideways. so tthe drag on the hull creates a force vector and the pulling wing of the sail can interact with vector, thansferring the pull of the airfoil/sail to the hull.
In this scenario, the sail would interact with the neutrino river from outer space. That's what those antennae on the Leviathan might be, they configure a neutrino reactive "hull" setting the force vector, which experiences submacro drag, cause neutrino flow is not dense even for a micro force and orders of magnitude less dense than a macro force like water. Maybe there's an inverse engine at work which can swap properties of forces and therby invert them. For instance, if there are 10 neutrinos traveling at the 186k miles per second, the inverse engine swaps those values, so now there are 186k neutrinos traveling at 10 miles per second. That makes the neutrino flow dense enough to interact with a physical air sail.
Notes
[deprecated-Every vertical side of every box flickers solid black and then beige again. Each side displays a black exclamation point and then the chinese character for happiness and below in english, "YAY". These flash three times, then all of the boxes go blank.}
[chapter ends here. the boxes in the meadow are just boxes, we've forgotten the hint from the origami bird, the good bye to the leviathan signal flowed over the bird which was entirely comprised of boxes, so we know the boxes already have that capability. The boxes in the meadow are just boxes, that they should flicker and flash with mediatronics is not only too much, but will be way better in the Joe teaching the boxes sequence. who are the boxes talking to anyway?]
[the leviathan may have mediatronics, that's a bit cliche at this point with the bladerunner schtick, advertising on airships. Also we've got mediatronics all over elsewhere, especially on the military hardware. The leviathans could be just a super slick Chris Foss SF cover art transports. eg


Like the first image, our mirrored leviathan could be rippling with reflections of the atmosphere and clouds, as if the churning of the visual environment is related to the motive force. Neutrino sails? Only the stalactites are uneffected by the hulls trippy visual.
[1] Mirrored surface? Patches of oxidation make the hull discernible.
[2] neutrino sails, analogous to the interface between water and wind.
[3] perhaps they are more like paddle wheels on river boats than props, rotating front to back rather than sideways
[*] the anti-aliasing great distance no longer in effect, the illusion of curvature undone

