2025 Chapter Prologue

Blackness. No moon, no stars. From orbit, no glowing electric webs across the night side, dense where technocracy thrummed or stretched thin towards the wilds. On the ground, no glow of distant cities on the horizon, no orange fuzz of sodium street lamps lit. A black without texture, a yawning abyss of black, empty, but not forever. This is the primordial black of the bubbling nothing from which all creation eventually blooms.

Sound. A high pitch whir of thin tires on crumbling pavement, squeaky pedals turning a chain, gears shifting and the rhythmic huffing of human exertion. A few notes of a whistled tune, futures and romance.

Shattering the black, a flash of electronic phosphorescence, blurry as if burning. Up and to the left, a tiny green horizontal line, an underscore, blinks. On, off. On, off. On...

The sounds of exertion and clacking continue. Meanwhile, in the seclusion of encrypted thought, a monologue spools out, exposition, a man is talking to himself. Perfectly articulated speech sans breathing or stutter, words made of electricity and neurotransmitters only.

"I'm amused, still. I feel my face making that slight smirk, every time. In the evolution of late 20th century cinema, a ghostly green blinking underscore on a black background was synonymous with computation. The cursor, as it was then known, comprised the entire interface for the very first cathode ray tube equipped computers. A precise flickering trifle, expectant and enigmatic. What do you want? How can I help you? Long after computer interfaces added menus and icons, and before they colonized refrigerators, brains and finally every cloud and rock, the cursor was at first a cliche, then later an homage."

The clank and sputter of changing gears, and the sound of breathing gets heavier.

"Replies to a cursor's query had to be phrased in an esoteric language known only to an elite few, the nerd class, geeks. The geeks shall inherit the earth, the bible almost said. They and their issue morphed into a legion of legendary billionaires who tinkered with culture and the life support system of the Earth, striving to improve. What do I want? How can you help me? As if the entire planet was a blinking cursor, an insistent, myopic introspection."

For Uncle Joe, the cursor was certainly redolent of this history, how could it not be? He had respawned in the late 20 century, post the exhilarating ubiquity of integrated circuits.  That was all lived experience he had both reveled in and been somewhat chafed by.

This cursor, his cursor was a deliberate retelling of that story, an upgraded personal mythology. For Joe, this cursor revivified a callow but potent enthusiasm from back in the day, when the world was new and computer appliances too.  In this era of rogue cognition, the cursor was also a stark reminder to keep the initiative on the side of the interface that huffs, puffs and pushes pedals.

Joe, rider of bikes, reprisor of computational antiquity, now transmutes mere respiration into vocalization, in a thick and slightly affected eastern euro version of English. His words are displayed to the right of the cursor and in the same phosphor green, with an almost imperceptible delay.

"Extemporize"

The word appears in green, and is followed by "< com ack"

(beep)

"Strangely satisfying denoument on the theme of rapacious capitalism"

(beep)

The words scroll down and the words "Smart Money" are displayed after the cursor. A rough thumbnail renders, the rendering iterates several times to a full color still image, flows into motion, and a movie plays.

A wild meadow, verdant, bucolic, untrammeled. Striking primal Trilliums, each with just three fleshy white or pale pink petals, stand motionless in the whispering grass. The flowers become more prominent, then one Trillium dominates, towering out of the soil in macroscopic radiance. A fuzzy face is hiding behind the edge of one petal. The face is printed, an engraving of a hero from ancient American mythology. Andrew Jackson, genocidal OG and central bank killer, the ironic avatar of the twenty dollar federal reserve note. A crowd of Jacksons are peaking out of the duff below the grass and flowers, stacks of twenty dollar bills are woven into the tangle of flora. Was there a ATM explosion long ago, or did a stick-up artist bleed out nearby?

Semi translucent slugs explore the bills, perhaps pondering strategies for disassembly, a way to melt these artifacts back into usable components for flowers and grass.

Andrew Jackson blinks and shifts his gaze to a passing slug. He watches the slugs slow, gooey progress, and then returns to his default stoic stare.

These twenty dollar bills will not soon melt into the soil, for they were the final generation of the last empire's legal tender, constructed of nearly indestructible synthetic polymers that could not be decompiled without a cryptographic command from an authorized treasury functionary. Most crucially, these bills were imbued with micro sentience and could advise each citizen on how to optimize their financial self interest. Now, lost in the alien economy of a living ecosystem, these bills have no one to advise and are unable to die. Perhaps, they will be once more valued by people and able to joyfully execute their prime directive. Until then, they wait, perhaps forever.

The vignette ends and black returns. Afterimages fade, beat. The blinking underscore flashes back.

"Again, a little less creepy"

(beep)

"WALL STREET UNDER WATER" is displayed after the cursor

A new thumbnail renders, iterates and begins to play.

A beach of red bricks. Slightly murky water washes over the bricks in gentle waves, sunlight sparkling on the crests. Undulating strings of light play over a submerged tumble of kiln fired edges and corners. In the shallows, a snapped steel pole is nestled among the bricks, and topped by a green street sign with reflective, silver text, "WALL STREET". The lapping water and swirling patterns of light are soothing, the entire scene is a hypnotic and deeply satisfying version of eternity.

Black again, pause and the underscore blinks.

"Better."

"Antwerp."

The words are displayed, but "Antwerp" is moved to a new line and followed by "< com ack"

(beep)

The black dissolves into blurred pavement unrolling under a swerving bicycle tire.

From the end of a gray pin striped suit sleeve, a hand pulls off the bike's handle bars, digs in jacket pocket and produces the iStone. The textured black rock blooms a window, there's depth in there, a data volume. Menus cascade, and an ebullient British female voice pipes up.

"Hey Joe,  EXTEMPORIZE is PROPAGATING to the global DEPLOYMENT."

"Thanks. ETA for cinematic hidey hole?"

"8 minutes, you're on the path of least resistance"

"Then perhaps another koan or two."