IN

OUT

character

priority 1-5

scene

department

specialty

description

solution

297

01:23:29:14

01:26:40:00

act 4.0

credits final

george zilliax, jonathan kelly, audio finish, director of photography, editorial, motion graphics, national park, all locations (steve) columns, philipp kaye (empire)

00:08:12:05

christina

act 1.0

dialogue

 ADR

is christina snickering, laughing after "cosmic squirt"

01:05:43:10

christina

act 1.0

dialogue

 ADR

c, "are you an angel" sync?

01:06:00:20

christina

act 1.0

dialogue

 ADR

her transition from "shit" to "sorry" is it going to work? ADR to on location sound...

01:07:17:20

christina

act 1.0

dialogue

 ADR

c's snort's after "no actually", loose that

01:08:11:22

joe

act 1.0

dialogue

 ADR

should joe say "ahhh..." after "cosmic squirt"

01:15:48:20

christina

act 2.0

dialogue

 ADR

 "you're a rabbit" and "i'm a dog" louder more punchy (2)

01:14:45:11

act 2.0

dialogue

ADR

line is “i'm fine”. we only have “fine” currently

01:14:57:09

gerry

act 2.0

dialogue

ADR

"hi" a little more surprised, current take he sounds very unexcited 05/16 – seems ok

01:16:09:04

christina

act 2.0

dialogue

ADR

c - "the year you were born" sync seems off (louder) 05/16 – seems ok

01:16:26:06

00:17:03:03

gerry

act 2.0

dialogue

ADR

with goal posts, could we have some breaths and snorts? does that help? (2)

01:19:05:20

christina

act 2.0

dialogue

ADR

closet, "you're mysterious" echo (5)

01:19:55:14

act 2.0

dialogue

ADR

 "you're a rabbit" and "i'm a dog" louder more punchy (2)

01:22:59:02

gerry

act 2.0

dialogue

ADR

"is there time" weird popping noise (thought I had this handled)

act 1.0

dialogue

ADR

fade ins and outs on all ADR

01:14:34:10

act 2.0

foley

check

strange warble in hall scene, listen to all sound with isolated headphones

00:00:00:00

act 1.0

foley

doors and creaks

0

01:02:11:00

01:03:55:12

2

act 1.0

foley

doors and creaks

christina's chair should squeak as she moves

01:04:13:20

01:04:40:10

act 1.0

foley

doors and creaks

creaky door opening to reveal joe (theme)

        door 11, door metal squeak, door squeak, door wood squeak

01:05:35:20

01:05:44:17

2

act 1.0

foley

doors and creaks

joe pushes creaky chair under desk

01:07:46:19

01:07:47:18

2

act 1.0

foley

doors and creaks

door slams closed on c's cabin

01:09:09:01

act 1.0

foley

doors and creaks

christina sits on lower bunk – mattress

01:10:32:21

act 1.0

foley

doors and creaks

c and j sit on lower bunk mattress

01:14:50:13

act 2.0

foley

doors and creaks

g – opens doors, main then screen

01:15:33:03

act 2.0

foley

doors and creaks

c – closes outer and inner (big reverb on inner closing could be deadened)

01:17:15:03

00:17:19:19

act 2.0

foley

doors and creaks

c – bed springs squeak as weight on bed, then launch, bed springs squeak as she settles

01:17:34:16

act 2.0

foley

doors and creaks

c – bed spring squeak as she lifts her leg

01:17:39:07

00:17:51:10

act 2.0

foley

doors and creaks

c – bed springs removing boots

01:17:47:18

01:17:51:15

act 2.0

foley

doors and creaks

c – bed springs lean back and launch boot, settle

01:17:56:02

00:18:05:90

act 2.0

foley

doors and creaks

c – bed springs as she lies back

01:18:16:20

act 2.0

foley

doors and creaks

c – slight bed spring squeak “know what to do”

01:18:21:09

01:18:23:17

act 2.0

foley

doors and creaks

c – bed springs as she jumps up before “i just want to fuck”

01:18:22:21

act 2.0

foley

doors and creaks

c – bed springs “i just want to fuck”

01:18:30:03

01:18:32:05

act 2.0

foley

doors and creaks

c – bed springs before “please”

01:18:44:18

act 2.0

foley

doors and creaks

c – bed springs, sitting back after “why me?”

01:18:48:00

01:18:51:11

act 2.0

foley

doors and creaks

c – bed springs as c gets off the bed

01:18:55:12

act 2.0

foley

doors and creaks

c – closet door opens

01:20:12:13

act 2.0

foley

doors and creaks

c – bench takes her weight, (one time sound)

01:21:22:04

act 2.0

foley

doors and creaks

g – closes drawer with foot

01:23:14:16

act 2.0

foley

doors and creaks

g – bathroom door closing

act 1.0

foley

doors and creaks

creaky chair, chair slide as c get's up to answer door?

01:03:54:17

3

act 1.0

foley

feet

c stands up

01:03:58:03

01:04:04:04

2

act 1.0

foley

feet

soft footsteps as c approaches door (~3 steps)

01:05:29:02

2

act 1.0

foley

feet

christina get's the hat steps back

01:05:32:10

01:05:38:14

3

act 1.0

foley

feet

joe enters room (~7 steps)

01:05:41:05

01:05:45:15

3

act 1.0

foley

feet

joe shuffles in place by chair after turn

01:05:41:09

2

act 1.0

foley

feet

c – are you an angel or what, excited stepping

01:06:07:02

act 1.0

foley

feet

c – sorry, laughing and moving

01:06:07:12

3

act 1.0

foley

feet

joe steps towards c

01:06:28:09

01:06:32:20

2

act 1.0

foley

feet

approach mirror together, shuffling footsteps in front of mirror

01:06:28:09

01:06:32:20

2

act 1.0

foley

feet

approach mirror together, shuffling footsteps in front of mirror

01:07:39:13

2

act 1.0

foley

feet

c all over this, slight step

01:07:45:12

2

act 1.0

foley

feet

c moves to shut door

01:07:48:20

01:07:53:14

2

act 1.0

foley

feet

c stealthily returns to j after shutting door (~3 steps)

01:08:25:09

2

act 1.0

foley

feet

j steps back to address camera

01:08:52:17

2

act 1.0

foley

feet

c steps back after being bra snapped

01:09:06:19

2

act 1.0

foley

feet

joe steps to laptop

01:09:08:18

2

act 1.0

foley

feet

negotiating the bed

01:09:08:18

2

act 1.0

foley

feet

negotiating the bed

01:10:12:00

2

act 1.0

foley

feet

j takes a hit

01:10:27:18

2

act 1.0

foley

feet

j sits

01:14:43:01

act 2.0

foley

feet

g – clomps to door

01:14:52:04

act 2.0

foley

feet

g – shuffle and clomp at door

01:15:31:19

act 2.0

foley

feet

g – tromp from door

01:15:32:18

act 2.0

foley

feet

c – enters room, stepping from hall onto carpet

01:15:40:01

act 2.0

foley

feet

g – light shuffle in place while turning to look at c

01:16:16:22

act 2.0

foley

feet

c – light steps toward g “great!”

01:16:19:00

act 2.0

foley

feet

g – shuffle before sitting on desk

01:17:09:02

01:17:13:19

act 2.0

foley

feet

c – dread tread toward bed – 7 steps... c – she walks to bed. begin after g's gaze shifts to her breasts, presumably after eye contact is broken

01:18:01:01

act 2.0

foley

feet

g – gets up from desk

01:18:31:00

act 2.0

foley

feet

g – clomps over to closet

01:18:50:22

01:18:59:10

act 2.0

foley

feet

c – barefoot walk toward closet

01:18:53:16

act 2.0

foley

feet

g – clomps from closet,  chased away by c

01:19:02:06

act 2.0

foley

feet

g – soft shuffle to sit on desk

01:19:10:04

act 2.0

foley

feet

c - soft barefoot shuffle as she spins toward him

01:19:20:06

01:19:29:12

act 2.0

foley

feet

c – barefoot walk toward bed

01:19:45:13

act 2.0

foley

feet

c – barefoot shuffle after “we just have to”

01:20:02:16

act 2.0

foley

feet

c – bare foot landing on bench

01:21:17:20

act 2.0

foley

feet

g – clomps over to tea

01:21:33:22

act 2.0

foley

feet

g – shifts weight at kitchen

01:21:58:18

act 2.0

foley

feet

g – steps back to open drawer

01:22:20:04

01:22:24:01

act 2.0

foley

feet

g – steps back in awe after “ think i could love you too”

01:23:08:21

act 2.0

foley

feet

g – steps into bathroom, crunch of glass underfoot as g enters bathroom - concrete scuff, debris glass

00:06:19:21

act 1.0

foley

human

c – should she take a breath before the line, “ok i'm ok...” ?

00:10:13:08

act 1.0

foley

human

j – oof! after getting gut punched

01:07:35:16

act 1.0

foley

human

clapping hands “ok so super”

01:08:04:08

act 1.0

foley

human

snapping fingers “the uh, you know”

01:08:51:04

act 1.0

foley

human

“oh” as bra snaps, should be after impact noise

01:09:14:16

01:09:37:12

act 1.0

foley

human

popcorn chewing while watching g

01:09:40:01

act 1.0

foley

human

popcorn chewing and talking

01:09:50:04

act 1.0

foley

human

c – swallow noise?

01:11:20:07

act 1.0

foley

human

c – popcorn chewing (sync) remove mouth opening or move it closer to crunch

01:15:15:19

act 2.0

foley

human

c – intake of breath before “I've been sent by god”?

01:17:35:00

act 2.0

foley

human

c – bed, hand on leg slap louder

01:18:04:01

act 2.0

foley

human

c – bed, mouth sound to match her tongue against teeth moment when she leans back? slurp!

01:19:24:15

act 2.0

foley

human

g - neck cracks as he tilts back after AwwgH!

        bone break 1,2,3

01:19:26:04

01:19:34:11

act 2.0

foley

human

c takes deep breath in shirt

01:20:46:23

act 2.0

foley

human

g – before pk line, g licks lips foley

01:17:39:14

act 2.0

foley

impact and explosion

c - boot thrown to ground (reverb matches dialogue)

01:17:48:21

act 2.0

foley

impact and explosion

c – boot hitting box

01:17:50:09

act 2.0

foley

impact and explosion

c – boot bouncing to floor

01:18:30:01

act 2.0

foley

impact and explosion

c – grabs footboard of bed

01:15:37:18

act 2.0

foley

mechanical

g - clicking light and brighter room

01:21:28:19

act 2.0

foley

mechanical

g – turns on light switch over kitchen

01:21:39:03

act 2.0

foley

mechanical

g – pours water into hot pot, steaming sound

01:23:11:09

act 2.0

foley

mechanical

bathroom light switch

01:00:44:11

act 1.0

foley

rustle cloth

slight rustle of j's jacket as he points to mirror

01:02:55:15

act 1.0

foley

rustle cloth

c - sits up in chair

01:03:06:15

act 1.0

foley

rustle cloth

c - turns in chair to right and back “don't want to scare you”

01:03:52:16

act 1.0

foley

rustle cloth

c – prep to stand and stand up “here i come”

01:03:57:19

act 1.0

foley

rustle cloth

c – moves to cabin door

01:04:53:12

act 1.0

foley

rustle cloth

c – shrugs shoulders

01:05:04:21

01:05:20:05

act 1.0

foley

rustle cloth

j – “my name is melchoir” business with jacket

01:05:27:08

act 1.0

foley

rustle cloth

j – removing hat and putting it on c. (this is a transfer of energy – static noise?

01:05:29:23

act 1.0

foley

rustle cloth

c – steps back for j to enter and bends over

01:05:32:03

act 1.0

foley

rustle cloth

j – enter cabin

01:05:38:22

act 1.0

foley

rustle cloth

j – whips around to face c

01:05:40:13

act 1.0

foley

rustle cloth

j – moving chair, bending

01:05:54:03

act 1.0

foley

rustle cloth

j – raises arm

01:06:06:08

act 1.0

foley

rustle cloth

c – raises arms “sorry”

01:06:07:01

act 1.0

foley

rustle cloth

j – moves to c “christy”

01:06:28:18

act 1.0

foley

rustle cloth

j – pulls c to mirror (mostly j)

01:06:44:13

act 1.0

foley

rustle cloth

j – raises arm and points... “well”

01:07:19:00

act 1.0

foley

rustle cloth

c – adjust hat

01:07:26:13

act 1.0

foley

rustle cloth

slight sound of hat brim swish as she whips her finger off

01:07:30:07

act 1.0

foley

rustle cloth

j – shrugs and shuffles jacket

01:07:34:05

act 1.0

foley

rustle cloth

c – moving a lot “ok so super”

01:07:45:19

act 1.0

foley

rustle cloth

c – turns to door

01:07:50:18

act 1.0

foley

rustle cloth

c – stealthily crosses to joe

01:08:04:02

act 1.0

foley

rustle cloth

c – swishing and sashe “already do the”

01:08:12:11

act 1.0

foley

rustle cloth

c – bra twist “god has decided” rustling of the bra, make the audience aware of it in prep for the business with it

01:08:14:15

01:08:22:08

act 1.0

foley

rustle cloth

j – raise arm, slight turn “god has decided”

01:08:25:05

act 1.0

foley

rustle cloth

j – raises arm and turns toward window with sweeping gesture “people everywhere”

01:08:38:21

act 1.0

foley

rustle cloth

c – bra twist

01:08:39:16

01:08:51:21

2

act 1.0

foley

rustle cloth

bra snap - close but not quite there - still needs work... (3 parts - tension, stretch, release/smack... better bra pulling sound, stretchy... two phases, earlier when she makes it taught and later the full monty - guitar strings? not too cartoony

01:08:41:08

act 1.0

foley

rustle cloth

bra stretch 1/3

01:08:48:16

act 1.0

foley

rustle cloth

bra stretch 2/3

01:08:49:07

act 1.0

foley

rustle cloth

bra stretch 3/3

01:08:50:21

act 1.0

foley

rustle cloth

bra twist incidental (a transition to tell us the fabric and elastic are of an ilk)

01:08:51:06

act 1.0

foley

rustle cloth

c – stumbles back

01:08:51:11

act 1.0

foley

rustle cloth

bra snap sustain needs to be cut off when she grabs it again.

01:08:51:13

act 1.0

foley

rustle cloth

c – bra rustle and twist in air

01:08:52:00

01:08:53:21

act 1.0

foley

rustle cloth

j – embarassed for her, bends then lifts hand

01:08:54:21

01:09:01:18

act 1.0

foley

rustle cloth

j – leans back on bed, digs out DVD, whips it out “here” (this could be another magical reality moment)

01:09:04:23

act 1.0

foley

rustle cloth

j – moving to put DVD in laptop

01:09:08:17

act 1.0

foley

rustle cloth

c – sits on bed

01:09:09:06

act 1.0

foley

rustle cloth

j – moves to bed and leans on it

01:09:18:06

act 1.0

foley

rustle cloth

j – slight rustle (fake) as j's head turns for popcorn, then bigger when turns back

01:09:34:03

act 1.0

foley

rustle cloth

j – slight rustle and adjustment “that's him”

01:09:55:21

act 1.0

foley

rustle cloth

c – points arm (stuck a CD in)

01:09:56:18

01:10:07:12

act 1.0

foley

rustle cloth

j – turns head, waves arm “i know”

01:10:13:14

act 1.0

foley

rustle cloth

j – hit by c, doubles over

01:10:29:20

10:10:37:01

act 1.0

foley

rustle cloth

j – turns, bends and settles onto bed

01:10:44:01

act 1.0

foley

rustle cloth

j turns head to c and away

01:11:36:00

act 1.0

foley

rustle cloth

j – leans into c “immediately”

01:12:01:09

act 1.0

foley

rustle cloth

j – raises arms hands together “good energy for each other”

01:12:06:13

act 1.0

foley

rustle cloth

j – puts arms down

01:14:43:01

act 2.0

foley

rustle cloth

g – jacket swish as he moves to door

01:14:52:04

act 2.0

foley

rustle cloth

g – jacket swish

01:15:31:19

act 2.0

foley

rustle cloth

g – heavy coat swishing

01:15:36:21

act 2.0

foley

rustle cloth

c – removes leather jacket

01:16:18:11

act 2.0

foley

rustle cloth

g – rustle of coat as he raises and lowers hands - indecision emphasis

01:16:19:15

act 2.0

foley

rustle cloth

g – then sits back on table, this is a heavy coat

01:16:22:18

01:17:02:04

act 2.0

foley

rustle cloth

g – raises arms, the goal posts.

01:17:14:12

act 2.0

foley

rustle cloth

g – rocking in jacket

01:17:15:14

act 2.0

foley

rustle cloth

c – landing on bed, blankets

01:17:19:10

00:17:22:10

act 2.0

foley

rustle cloth

g – coat rustle as he leans forward

01:17:35:10

01:17:38:21

act 2.0

foley

rustle cloth

c – boot squeak and slide as it comes off

01:17:44:02

01:17:47:21

act 2.0

foley

rustle cloth

c – boot squeak stuck, then pop! right after “pill”

01:17:57:14

01:18:03:13

act 2.0

foley

rustle cloth

c – grabs and fluffs blanket

01:18:21:06

act 2.0

foley

rustle cloth

c – blanket fluff

01:18:22:21

act 2.0

foley

rustle cloth

c – blanket then "i just want to fuck"

01:18:31:00

act 2.0

foley

rustle cloth

g – coat swish as he walks to closet and leans

01:18:50:02

act 2.0

foley

rustle cloth

c – crushing blankets getting off bad

01:19:03:17

01:19:06:05

act 2.0

foley

rustle cloth

g – sits on desk

01:19:08:16

act 2.0

foley

rustle cloth

c – takes pink shirt

01:19:10:23

act 2.0

foley

rustle cloth

c – pink shirt dragged, crumpled and unfurled

01:19:25:01

00:19:34:11

act 2.0

foley

rustle cloth

c – brings pink shirt up to breath, then drops

01:19:34:04

act 2.0

foley

rustle cloth

c – shirt down rustle

01:19:45:13

act 2.0

foley

rustle cloth

c – pink shirt nervous

01:20:08:09

01:20:14:16

act 2.0

foley

rustle cloth

c – sits down on bench

01:21:17:20

act 2.0

foley

rustle cloth

g – coat rustle walking over to tea

solution

01:21:26:21

act 2.0

foley

rustle cloth

g – coat raises arm to light switch

01:22:38:19

act 2.0

foley

rustle cloth

g – a slight coat rustle

01:21:32:01

act 2.0

foley

sync

g – plugs in tea pot

01:21:36:04

act 2.0

foley

sync

g – picks up plastic water jug

01:23:08:29

act 2.0

foley

sync

clicking of the tea pot heating up

01:03:01:20

act 1.0

foley

weird

better shortwave for joe on phone, eliminate x 3 tuning moments...

01:14:42:15

01:14:57:13

act 2.0

foley

weird

gerry coming to door, sounds of chemical fizzing and dripping liquid from spill

01:16:19:15

act 2.0

foley

weird

g – then sits back on table, loose objects being shoved around

act 1.0

foley

weird

j – robot arm noise on joe when he inserts CD

2

act 1.0

foley

weird

sound effect on j's fast turn, using the chair's squeak and applying it to joe

act 5.0

foley instruments

rustle cloth

g's biker boot – remove, squeak, stuck

act 5.0

foley instruments

rustle cloth

c's cotton dress

act 5.0

foley instruments

rustle cloth

g's bed (landing)

act 5.0

foley instruments

rustle cloth

c's bra

act 5.0

foley instruments

rustle cloth

g' pink shirt

act 5.0

foley instruments

rustle cloth

g's blanket

act 5.0

foley instruments

rustle cloth

c's sparkle gown

act 5.0

foley instruments

rustle cloth

g's heavy coat

act 5.0

foley instruments

rustle cloth

j's dress jacket

01:19:40:19

act 2.0

mg

?

"we just have to" fix c nostril shadow

act 0

mg

essential story A

cars –

act 0

mg

essential story A

cars –

act 0

mg

essential story A

cars –

act 0

mg

essential story A

cars –

act 0

mg

essential story A

cars – 23.98 (FCP) or 23.97 (AE) or 23.976 (Mocha)

act 0

mg

essential story A

cars – glints and flashes on mirrors and chrome as sunlight moves

act 0

mg

essential story A

cars – export AE working

act 0

mg

essential story A

cars – snow blowing, fog

act 0

mg

essential story A

cars – adjust track

act 0

mg

essential story A

cars – new renders slightly larger

act 0

mg

essential story A

cars – highway sign – phoenix, miami, hollywood, detroit

act 0

mg

essential story A

cars – shadows on cars in sunlight

act 2.0

mg

?

books, brighten books in concluding wide shot

01:00:00:00

act 0

mg

essential story A

don't trust the dead! dan kelly fucks the undead! deceased persons need not apply – other posters?

where does this go?

0

01:00:45:23

01:01:11:16

3

act 0

mg

essential story A

gerry outside, 3 shots that could be used for more exposition – horizon has wreckage, crashed spaceship, you name it.

4

01:00:53:23

01:01:03:12

1

act 0

mg

essential story A

broken windows in museum, smoke billowing out, (warehouse, fire?) signs posted here too

8

01:01:11:15

01:01:21:02

3

act 0

mg

essential story A

c walking – transform wharfside with alexander henry into flood scene, restaurant neon pokes up out of water, roof of a house, etc. she's walking along something unexpected

what''s the plan?

3

01:01:11:15

01:01:38:02

3

act 0

mg

essential story A

alex henry - name change, missing sign, what else could tell the story? (2 shots)

decide what would be cool

3

01:01:38:03

01:02:02:05

1

act 0

mg

essential story A

unsteadicam hallway – box labels and posters

mocha

6

01:01:38:03

01:02:02:05

1

act 0

mg

essential story A

unsteadicam hallway needs red light and perhaps dawn water in porthole window, bloom color transform

red hallway – color correction, act I is daylight so the red will mix with daylight from the porthole

4

01:04:27:00

01:04:38:21

act 1.0

mg

essential story A

red hall – c opens door (roto)

4

01:04:56:01

01:05:03:14

act 1.0

mg

essential story A

red hall – “not your uncle joe” (roto)

4

01:05:04:23

01:05:08:13

act 1.0

mg

essential story A

red hall – “my name is melchior” (roto)

4

01:05:10:19

01:05:20:04

act 1.0

mg

essential story A

red hall - “only assumed the appearance” (roto)

4

01:05:23:00

01:05:29:04

act 1.0

mg

essential story A

red hall – hat (roto)

4

01:05:40:13

01:05:45:07

act 1.0

mg

essential story A

red hall – “are you an angel” (roto)

4

01:05:58:00

01:06:29:10

act 1.0

mg

essential story A

red hall – “what's the deal” (roto)

4

01:06:37:19

01:06:43:19

act 1.0

mg

essential story A

red hall – “he was born” (no roto)

4

01:06:59:06

01:07:02:03

act 1.0

mg

essential story A

red hall - “really” (no roto)

1

01:07:09:07

01:07:14:22

act 1.0

mg

essential story A

red hall – lesbian (no roto)

1

01:07:22:12

01:07:26:02

act 1.0

mg

essential story A

red hall – lesbian too (no roto)

1

01:07:34:20

01:07:45:15

act 1.0

mg

essential story A

red hall – “so super” (no roto)

1

01:08:39:00

act 1.0

mg

essential story A

or the bra scene, could we do something sort of like the impact scene from clockwork orange? several moments in there - what? flashback

2

01:09:01:11

01:09:04:20

act 1.0

mg

essential story A

j, "here, check it out" hypnosis, the CD light is playing on her face, he flashes it on her eyes and she blinks

3

01:09:04:23

act 1.0

mg

essential story A

christina's face is in the DVD reflection until he moves it.

2

01:09:23:09

act 1.0

mg

essential story A

the gerry picture could be more processed

2

01:14:27:22

01:14:42:18

act 2.0

mg

essential story A

long hallway, dead birds carry contagion and other posters

4

01:14:27:22

01:14:42:18

act 2.0

mg

essential story A

long hallway, red hall fixes abrupt reactions of c

0

01:14:51:08

01:15:32:05

act 2.0

mg

essential story A

red hall - wires on steve's door the trick, the door swings open (3 shots)

8

01:15:00:09

01:15:24:06

act 2.0

mg

essential story A

red hall - christina at door (2 shots)

4

01:15:52:15

01:16:11:21

act 2.0

mg

essential story A

in g's cabin, where's the pink shirt – missing in all carmen close-ups near closet (5 shots) continuity here also, wrong closet door is open – oh well.

use close hang from closet approach and reverse

3

01:25:11:21

act 3.0

mg

essential story A

mediatronic pages - minimum fix spelling of “their”

track words on screen, replace with new.

1

01:26:00:00

all

mg

essential story A

label all boxes inventory

1

01:26:00:00

all

mg

essential story A

label all boxes composite

8

01:26:38:19

01:26:41:09

act 3.0

mg

essential story A

change color of caboose in third shot, we have a release from the NJ train people.

4

01:01:38:03

01:02:02:05

3

act 0

mg

essential story B

steadicam tracking practice, armory – guns and swords, wire tangles, signs... what other stuff could be on the walls?

what could be here?

01:03:54:14

act 1.0

mg

essential story B

c rises up, cut to mirror. she's in darkness, she could be a little more in the dark there then emerge into the light... naw

01:05:27:08

act 1.0

mg

essential story B

transfer of hat from j to c – electric sparks like static from his head, crackling and sputtering?

01:09:04:21

01:10:12:07

act 1.0

mg

essential story B

change laptop to army green, maybe camo colored

01:19:28:13

01:23:22:21

act 2.0

mg

essential story B

bathroom, broken chemical glass and bottles? bathroom cabinet full of books? (12 shots)

0

01:25:11:21

act 3.0

mg

essential story B

mediatronic pages - a cool security interface sequence, decrypt to joe's warning

track words on screen, replace with new.

01:25:18:10

01:25:19:01

act 3.0

mg

essential story B

airplane hitting building on "joe?"

01:00:00:00

act 1.0

mg

essential story C

should joe have a PKD pin?

01:02:29:17

01:03:54:09

3

act 1.0

mg

essential story C

phone – whispy springy antenna, little blinky lights?

00:00:00:00

01:00:46:00

1

act 0

mg

montage options

what's the strategy, how does this thing start?

20

00:00:00:00

01:00:46:00

1

act 0

mg

montage options

assemble all usable shots for possible speed up and then stop, opening montage

6

01:00:00:00

01:00:46:00

1

act 0

mg

montage options

0032Y misty morning water

01:00:00:00

01:00:46:00

1

act 0

mg

montage options

ship and shore, ship aground

01:00:00:00

01:00:46:00

1

act 0

mg

montage options

winter highway

01:00:00:00

01:00:46:00

1

act 0

mg

montage options

0007R6,  swamp

01:00:00:00

01:00:46:00

1

act 0

mg

montage options

steel skelton skyscrapers over the road with tunnel

01:00:00:00

01:00:46:00

1

act 0

mg

montage options

00160N shoreline concrete

01:00:00:00

01:00:46:00

1

act 0

mg

montage options

0027X9, 00241C, 0026H3 rails into forest rails into rainforest 00256B

01:00:00:00

01:00:46:00

1

act 0

mg

montage options

donkey barn needs metro sign

2

01:00:00:00

01:00:46:00

1

act 0

mg

montage options

uncle joe traveling

01:00:00:00

01:00:46:00

1

act 0

mg

montage options

0011Z8 water with silhouttes, could be mailboxes or something on the top of a building

01:00:00:00

01:00:46:00

1

act 0

mg

montage options

0017Q2, 00198Q water and bricks with sun

01:00:00:00

01:00:46:00

1

act 0

mg

montage options

007U7 shot of broken rails

01:00:00:00

01:00:46:00

1

act 0

mg

montage options

0008WB, 0007CG weight limit sign

01:00:00:00

01:00:46:00

1

act 0

mg

montage options

00051I smoke stack

01:00:00:00

01:00:46:00

1

act 0

mg

montage options

00075G close up of suspended train car

01:00:00:00

01:00:46:00

1

act 0

mg

montage options

003CU bricks close on beach

01:00:00:00

01:00:46:00

1

act 0

mg

montage options

0013G7 another really great closeup of bricks and water

00:00:00:00

01:00:46:00

1

act 0

mg

plan

fast montage – why are we seeing all these images so rapidly – from whose perspective? is it time travel, a progression, joes travels?

the only way to know is to play with it

6

00:00:00:00

01:00:46:00

1

act 0

mg

plan

mg strategy, which images are the priority? CG and re-edit montage after

2

01:03:50:16

01:03:50:21

act 1.0

mg

repair actor

c glances at camera, can we fix?

1

01:00:00:00

act 1.0

mg

repair character C

can uncle joe be more plausible? makeup is not totally convincing

0

01:03:54:14

01:08:51:05

act 1.0

mg

repair continuity

continuity, christina's dress tag (near shoulder) comes and goes (5 without, 9 with)

5

01:17:19:03

01:17:34:01

act 2.0

mg

repair continuity

"tired of pretending" carmen can be seen bouncing in the reflection.

add her quiet reflection from later on in scene. replace picture with gerry memory or maybe blueprint of the ship, but maybe have to loose reflections to do this.

2

01:18:28:09

act 2.0

mg

repair continuity

can we remove christina's hand from her face in the start of this shot – continuity

4

act 1.0

mg

repair continuity

c's receiver when she bends over for popcorn

removed this shot

0

01:05:29:05

01:05:38:23

act 1.0

mg

repair flaw

scratch on window - uncle um...

2

01:07:48:07

01:08:10:05

act 1.0

mg

repair flaw

scratch on window - “did god...” wide scratch on coat not as prominent

2

01:08:25:02

01:08:32:04

act 1.0

mg

repair flaw

scratch on window - "twice the miracle"

2

01:08:51:05

01:09:04:20

act 1.0

mg

repair flaw

scratch on window - "we've got this handled..."

2

01:10:13:21

01:10:23:12

act 1.0

mg

repair flaw

scratch on window - gut punch

2

01:17:04:17

act 2.0

mg

repair flaw

g close, can the transition be softened?

yes maybe with the morph technique described by in studio techniques

3

01:03:10:17

01:03:15:14

act 1.0

mg

repair light

"believe me it's important" when christina turns back, room gets darker... why check original files a) cause - an iris adjustment during shooting most likely, although i don't remember being by the camera at this point. b) solution - using keyframes on the color corrector and slight increase in highlight value over the three or so frames that the scene darkens c) also changed old color corrector to bring correct excess luma and copied color corrector to previous shot (same shot) to match

1

01:04:11:14

01:04:14:03

act 1.0

mg

repair light

the door is slightly ajar, light is coming through, black along the seams both as she opens and when they are talking with it closed

2

01:15:38:23

01:15:38:23

act 2.0

mg

repair light

in g's cabin, g clicking light and brighter room

2

01:21:28:19

act 2.0

mg

repair light

g – light switch illuminates area more

2

01:21:30:02

01:21:30:17

act 2.0

mg

repair light

gerry moved toward kitchen, the scene brightens to match when he hits the switch, must match the earlier scenes

1

01:02:02:06

01:03:54:13

act 1.0

mg

repair production

extension cord in shot, vertical corner and floor. could be passable

1

01:04:14:14

01:04:26:23

act 1.0

mg

repair production

windows water - c opens door (roto)

4

01:04:14:14

01:04:26:23

act 1.0

mg

repair production

door frame red hall – c opens door (roto)

2

01:04:38:22

01:04:56:00

act 1.0

mg

repair production

windows water (roto)

4

01:05:03:15

01:05:04:22

act 1.0

mg

repair production

door frame red hall

2

01:05:03:15

01:05:04:22

act 1.0

mg

repair production

windows water (roto)

4

01:05:08:14

01:05:10:18

act 1.0

mg

repair production

door frame red hall

2

01:05:08:14

01:05:10:18

act 1.0

mg

repair production

windows water (roto)

4

01:05:20:05

01:05:22:23

act 1.0

mg

repair production

windows water (roto)

4

01:05:20:05

01:05:22:23

act 1.0

mg

repair production

door frame red hall

2

01:05:29:05

01:05:38:23

act 1.0

mg

repair production

extension cord in shot vertical corner, with gaffer tape. extends to seaman plaque horizontal

3

01:05:45:08

01:05:57:23

act 1.0

mg

repair production

windows water (roto)

4

01:05:45:08

01:05:57:23

act 1.0

mg

repair production

joe's radio mic is visible at collar of shirt...

2

01:05:45:08

01:05:57:23

act 1.0

mg

repair production

door frame red hall

4

01:06:29:11

01:06:37:18

act 1.0

mg

repair production

door frame red hall

2

01:06:29:11

01:06:37:18

act 1.0

mg

repair production

windows water (roto)

2

01:06:29:11

01:06:37:18

act 1.0

mg

repair production

joe's radio mic is visible at collar of shirt...

2

01:06:43:20

01:06:59:05

act 1.0

mg

repair production

windows water (roto)

4

01:06:43:20

01:06:59:05

act 1.0

mg

repair production

joe's radio mic is visible at collar of shirt...

2

01:06:43:20

01:06:59:05

act 1.0

mg

repair production

door frame red hall

4

01:07:02:04

01:07:09:06

act 1.0

mg

repair production

windows water (roto)

4

01:07:02:04

01:07:09:06

act 1.0

mg

repair production

door frame red hall

4

01:07:02:04

01:07:09:06

act 1.0

mg

repair production

joe's radio mic is visible at collar of shirt...

2

01:07:14:23

01:07:22:11

act 1.0

mg

repair production

joe's radio mic is visible at collar of shirt...

2

01:07:14:23

01:07:22:11

act 1.0

mg

repair production

windows water (roto)

4

01:07:14:23

01:07:22:11

act 1.0

mg

repair production

door frame red hall

4

01:07:26:03

01:07:34:19

act 1.0

mg

repair production

windows water (roto)

4

01:07:26:03

01:07:34:19

act 1.0

mg

repair production

joe's radio mic is visible at collar of shirt...

2

01:07:26:03

01:07:34:19

act 1.0

mg

repair production

door frame red hall

4

01:07:46:20

01:07:48:06

act 1.0

mg

repair production

joe's radio mic is visible at collar of shirt...

2

01:07:46:20

01:07:48:06

act 1.0

mg

repair production

windows water (roto)

4

01:07:46:20

01:07:48:06

act 1.0

mg

repair production

door frame red hall

4

01:07:48:07

01:08:10:05

act 1.0

mg

repair production

extension cord in shot vertical corner, with gaffer tape. extends to seaman plaque horizontal

3

01:08:25:02

01:08:32:04

act 1.0

mg

repair production

extension cord in shot vertical corner, with gaffer tape

3

01:08:51:05

01:09:04:20

act 1.0

mg

repair production

extension cord in shot vertical corner, with gaffer tape

3

01:10:13:21

01:10:23:12

act 1.0

mg

repair production

extension cord in shot vertical corner, with gaffer tape

3

01:15:32:06

01:15:36:07

act 2.0

mg

repair production

tape on the wardrobe at right of screen

1

01:16:17:15

01:16:26:08

act 2.0

mg

repair production

tape on the wardrobe at right of screen

1

01:17:11:02

01:17:14:14

act 2.0

mg

repair production

tape on the wardrobe at right of screen

1

01:17:34:02

01:17:40:12

act 2.0

mg

repair production

"we have to make love somehow" radio transceiver n thigh

2

01:18:28:13

01:18:31:03

act 2.0

mg

repair production

tape on the wardrobe at right of screen

1

01:18:46:03

01:18:51:23

act 2.0

mg

repair production

tape on the wardrobe at right of screen

1

01:19:00:00

01:19:18:22

act 2.0

mg

repair production

tape on the wardrobe at right of screen

1

01:19:25:05

01:19:28:12

act 2.0

mg

repair production

tape on the wardrobe at right of screen

1

01:21:08:15

01:21:26:05

act 2.0

mg

repair production

tape on the wardrobe at right of screen

1

01:08:32:04

act 1.0

mg

repair production

many extension cords!

01:14:27:22

01:14:42:18

act 2.0

mg

repair relight

long hallway, flickery reflections in picture in background of hall detract from the shot

2

act 1.0

mg

solution, cut her going to cabinet and bending over

process – foley

all

starting at 3:30 a, we have 2 hours before the birds start singing at 5:30 a. daytime should be for foley inventory, development of instruments and performance practice.

process – foley

feet

i performed christina in bare feet, check the result, might be better with a very silky sock, something that gets the subtlety of her light tread without the scrape of my rough skin.

process – foley

feet

the walking drum consists of four blocks of wood with slightly rounded bottoms. on top of that is medium thickness masonite and carpet. the slight rounding of the blocks gives them a dull creak as opposed to sharp creak. the blocks get the masonite off the ground to form a sound chamber that the mic can be pointed into. this increases the volume of the effect by a factor of 2 or 3 in contrast to having the carpet on the floor. increased volume means that ambient sound is less of an issue.

00:00:00:00

act 5.0

process – foley

performance

05/18/2008 – so now we have a pretty comprehensive inventory for act 1 and 2, the next step is to audition the actors. for each category, we define the different instruments we'll use. For example, feet are – joe with hard sole shoes, christina barefoot, christina with biker boots, gerry with heavy boots. rustle/clothing are joe's dress jacket, christina's sparkle gown, christina's cotton dress, gerry's heavy coat, bra, pink shirt and g's bed (landing) g's blanket. doors/creak are c's cabin door, g's inner cabin door, g's outer screen door, g's closet, g's bathroom door. so we look at each category and audition instruments, do test recordings and gather them together for performance. that's today's project along with finishing the inventory for act 3.

act 1.5

voice-over

intermission, sequence of broadcasters

we've been learning how much prep work can be done by setting up cues for the sounds. footsteps have clear landing points, but doesn't everything have a certain performance emphasis? what's the basic structure of what we want to hear? the story!

more prep - test surfaces – yoga matte, dry floor, masonite, carpet, cloth, cardboard

comprehensive inventory, strategy, schedule of recording evening and perhaps daytimes.

05/16 don't forget to experiment with sounds using SFX machine – feet, cloths, etc. softening or fuzzing

to weld a cut together, use foley across the transition

act 2.0

j his audio has funny warble as does ambiance for boat – 30 fps? yep, convert!

creaky and squeaky is a theme, things are old and dry, there's no oil or grease to spare

05/14/2008 my workflow approach is to inventory everything here and not make cues in soundtrack unless i need to analyze rehearse the performance. this inventory list is more versatile than the visual cues in soundtrack, and we should only be maintaining one “inventory” not two.

05/14/2008 foley can be used to emphasize lines, a little sound effect mixed into a line can pop it – adding irony, or sarcasm, or whatever. sound is music is language

rescue – shortwave trans = computer, shortwave handheld = phone. voting machine/mechanical

05/14/2008 2 if we think about foley, the sounds the incidental sounds that characters make can say something more about them – the way their shoes scuff, clothing swishes. we can materialize the character and tell the story even further. this goes beyond the idea of just having “real sounding” foley. there's the sound presence and then the story elaboration

05/16 we can also base future characters on – the energy of their animal signs and their enagram – “the wisdom of the enagram” is the title. these are fun guides to how a character will act react in a given situation.

reverse